Monday, July 31, 2023
The Church of Saint Germain l’Auxerrois in Paris
Gregory DiPippoMarian Music Program Premieres at St John Cantius in Chicago, August 12th
Gregory DiPippoTheir program, “The Flower of Beauty”, will feature two newly-commissioned works on Marian themes composed by two traditionalist Catholics: a setting of the Ave Maris Stella by HMM’s composer-in-residence Mark Nowakowski, and a setting of the Stabat Mater by Peter Kwasniewski. Both composers will be present at this concert.
Also featured will be several motets by the brilliant composer William Byrd, who died in 1623, and could be said to be the greatest English composer before Henry Purcell. Marian themes continue in “Ave Maris Stella” by the 15th-century French composer Guillaume Dufay. There will also be several audience favorites, notably “A Cloud Enveloped Them” by Chad McCoy, which made a huge impact last year. And we will once again present the 13th-century “Seacht nDolás na Maighdine Múire”, the seven sorrows of the Virgin Mary, sung in Irish Gaelige in Chris Crilly’s beautiful arrangement.
There will be a reception after the concert in the Cafe San Giovanni. The musicians and the composers Dr. Nowakowski and Dr. Kwasniewski are greatly looking forward to meeting attendees.
Tickets available here: https://www.brownpapertickets.com/event/6036326
To read more about the group and its mission, read this interview at the National Catholic Register: Evangelists for the Beauty of Sacred Music.
Performers:
Richard Childress, countertenor
Matthew Dean, tenor
Joe Labozetta, baritone
Nathaniel Adams, baritone
Ian Prichard, bass
Sunday, July 30, 2023
The Treasury Museum of Genoa Cathedral (Part 2)
Gregory DiPippoHere is the second part of Nicola’s photos of the treasury museum of the cathedral of St Lawrence in Genoa. We begin with several pictures of a silver ark for the Corpus Christi procession, made in the mid-16th to early 17th century; the base is decorated with images of the Lord’s Passion, from the Last Supper to the Burial, alternating with statues of the Apostles.
Saturday, July 29, 2023
The Antipope Venerated as a Saint
Gregory DiPippoHowever, his entry in the Roman Martyrology before 1960 told the story differently. “At Rome, on the Via Aurelia, (the death of) St Felix the Second, Pope and Martyr, who, having been cast out of his see by the Arian Emperor Constantius because of his defense of the Catholic faith, died gloriously at Cera in Tuscany, being secretly slain by the sword.” According to the revised version of Butler’s Lives of the Saints by Herbert Thurston SJ and Donald Attwater, Felix was confused with two persons: first with his rival Liberius, which is difficult to explain, and secondly, with a martyr named Felix who was buried along the Via Aurelia, on which this Felix had built a small church. (Felix was an extremely common name in ancient Rome.) They also note that this confusion is already evidenced in documents of the 6th century. Therefore, the revised liturgical books of 1960, conforming to the updated Annuario Pontificio, eliminate the title “Pope” and the number “II” from his name, and delete his separate entry from the Martyrology altogether, while adding his name to that of the other three martyrs named above.
An engraved portrait of Cardinal Baronius, the frontispiece of a 1624 edition of his Annals. (Image from Wikimedia Commons by Jeffdelonge, CC BY-SA 3.0) |
It turns out, however, that Baronius’ treatment of the problem is far more detailed and interesting than the brief entry in Butler’s would lead one to believe.
First of all, Baronius did not “insert” Felix into the Martyrology; he was already in the Roman liturgical books (Missal, Breviary and Martyrology) before the Tridentine reform. Moreover, Baronius was perfectly well aware of the historical problem posed by his cultus. In the pre-Tridentine Roman breviary, (which he, as a member of the Roman Oratory, would certainly have used), the first lesson of Matins on July 29th tells the story of Felix II in terms similar to those of the Martyrology entry noted above. It is followed, however, by another lesson which gives the history of Pope St Felix III, who reigned from 483-92, and also staunchly opposed a heresy supported by the Roman Emperor, although he was not martyred for this. The prayer of this Office, however, names only one Felix; this strongly suggests that the compilers of this earlier edition of the Breviary hedged their bets, so to speak, as to which Pope named Felix was actually honored by the feast.
Turning to the relevant entry in Baronius’ Annals (Liberii ann. 4, 56-58) mentioned in Butler’s Lives, we discover the real reason why the notice of Felix as “Pope” was retained. He points out that Felix was (to borrow an odious turn of phrase from modern politics) personally faithful to the Nicene confession of faith, although he did not therefore separate himself from communion with the Arians or refuse ordination at their hands; this, according to the testimony of two ancient Church historians, Sozomen and Theodoret of Cyrus. Since he was deacon under Liberius, who also held fast to the Nicene faith, Baronius thought it unlikely that the latter would promote a convinced heretic to the important position of archdeacon, or keep him in that role. Furthermore, he explains, Felix must have known that he could not legitimately be Pope if Liberius was unlawfully deposed by a heretical Emperor. It was therefore Baronius’ opinion that Felix had accepted episcopal ordination not as the unlawful replacement of Liberius, but rather as a “chorepiscopus”, the title of a bishop who took care of rural areas without a fixed see in a city; effectively, what we would nowadays call an auxiliary bishop. He would have accepted this role so as to not leave the Church of Rome without governance during the exile of its rightful pastor.
Baronius goes on to explicitly state that “what is said about Felix’s ordination in the book about the Roman Popes falsely attributed to the name of Pope Damasus (i.e. the Liber Pontificalis), does not seem to be at all true”, an important recognition of that book’s value (or lack thereof) as an historical source. Further on (Liberii ann. 6, 58), he also notes that the ancient sources were not in agreement as to Felix’s ultimate fate, whether he died in peace near Porto, as is now believed, or was condemned by Constantius and killed at Caere in Tuscany, as formerly stated in the Martyrology.
Baronius then gives an account (ibid. 62) of something which happened in his own time, which vindicates him from Thurston and Attwater’s charge of being a backward scholar. He writes that scholars had long accepted that Felix was an intruder in the papal office, and that the ancient sources did not agree on the circumstances of his death. Under Pope Gregory XIII (1572-85), several learned men had gathered in Rome to work on the revision of the Martyrology, and there had been a great deal of intense discussion among them specifically about the case of Felix. Baronius himself leaned strongly towards removing him altogether, and wrote a lengthy treatise in defense of this position, which found much support and agreement among his colleagues.
Mass for the Lenten Station at Ss Cosmas and Damian in 2017, photographed by our Roman pilgrim friend Agnese.
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Now none of this is to say that Baronius’ assessment of the historical question was necessarily correct, or that the revisers of the liturgical books were wrong to do as they did in 1960 by joining Felix to the other martyrs. It is however, very much to say that whether he was ultimately right or wrong, Cardinal Baronius was not careless; he acted in good faith, and in the belief that divine providence had intervened to prevent the suppression of the long-standing veneration of a Saint.
Contrast this with the disdainful attitude of the supposedly far more sophisticated modern scholars, who speak of his work as the product of a “backward” state of affairs, but do not mention the discovery of the relics in connection with him, nor the reason why he changed his mind about St Felix. This cavalier and unjustified attitude of superiority has been all too common for far too long, and we have lived with the damage it has done to the Church’s tradition for far too long.
Posted Saturday, July 29, 2023
Labels: Baronius, feasts, Liturgical Reform, Martyrology, Relics, saints
Friday, July 28, 2023
Lammas Day
Michael P. FoleyLammas Fair at Ballycastle, artist unknown |
Not all of the Church’s annual observances can be found on her official calendar. Throughout Catholic history, interesting folk customs, often in tandem with local agricultural cycles, have come to take on a religious significance. One such example is August 1. For many centuries it was the feast of St Peter’s Chains, while in the post-Vatican-II calendar it is the feast of St. Alphonsus Ligouri. But in medieval and Renaissance England, the first of August was better known as Lammas Day.
Thursday, July 27, 2023
The Treasury Museum of Genoa Cathedral (Part 1)
Gregory DiPippoThanks once again to our Ambrosian writer Nicola de’ Grandi for sharing with us another splendid collection of photos, this time from the treasury of the cathedral of St Lawrence in Genoa, which has a number of really remarkable artistic treasures.
This chalcedony dish, which is indeed a piece of Roman work made in the first century, is traditionally said to be the very one on which the head of St John the Baptist was presented to Salome, as read in Mark 6. The metalwork with the head of the Baptist was added in the 15th century.Arranging the Breviary for the Rest of the Liturgical Year
Gregory DiPippoThis is our annual posting on one of the discrepancies between the traditional arrangement of the Roman Breviary and the new rubrics of 1960; the first such discrepancy appears at Vespers this Saturday. In some years, but not this one, there is also a discrepancy between the traditional placement of the September Ember Days, and their placement according to the new rubrics.
The first Sunday of each of these months is the day on which the Church begins to read a new set of Scriptural books at Matins, with their accompanying responsories, and Magnificat antiphons at Saturday Vespers. These readings are part of a system which goes back to the sixth century: in August, the books of Wisdom are read; in September, Job, Tobias, Judith and Esther; in October the books of the Maccabees; in November, Ezekiel, Daniel, and the twelve minor Prophets. (September is actually divided into two sets of readings, Job having a different set of responsories from the other three books.)
In the 1960 revision, however, the first Sunday of the months from August to November is always that which occurs first within the calendar month. According to this system, the first Sunday of August is the 6th this year.
This change also accounts for one of the many peculiarities of the 1960 Breviary, the fact that November has four weeks, which are called the First, Third, Fourth and Fifth. According to the older calculation, November has five weeks when the 5th of the month is a Sunday, as it is this year. (This is also the arrangement that has the shortest possible Advent of three weeks and one day.) According to the newer calculation, November may have three or four weeks, but never five. In order to accommodate the new system, one of the weeks had to be removed; the second week of November was chosen, to maintain the tradition that at least a bit of each of the Prophets would continue to be read in the Breviary. However, in some years, November only has three weeks, and the first one is also omitted, but this is not the case this year.
The Sundays for the rest of the liturgical year, according to the traditional system:
July 30 – the 1st Sunday of August (IX after Pentecost)
August 6 – the 2nd Sunday of August (X after Pentecost, commemorated on the feast of the Transfiguration)
August 13 – the 3rd Sunday of August (XI after Pentecost)
August 20– the 4th Sunday of August (XII after Pentecost)
August 27 – the 5th Sunday of August (XIII after Pentecost)
September 3 – the 1st Sunday of September (XIV after Pentecost)
September 10 – the 2nd Sunday of September (XV after Pentecost)
September 17 – the 3rd Sunday of September (XVI after Pentecost; Ember week)
September 24 – the 4th Sunday of September (XVII after Pentecost)
October 1 – the 1st Sunday of October (XVIII after Pentecost)
October 8 – the 2nd Sunday of October (XIX after Pentecost)
October 15 – the 3rd Sunday of October (XX after Pentecost)
October 22 – the 4th Sunday of October (XXI after Pentecost)
November 5 – the 2nd Sunday of November (XXIII after Pentecost, )
November 12 – the 3rd Sunday of November (V after Epiphany resumed)
November 26 – the 5th Sunday of November (XXIV and last after Pentecost)
The Sundays for the rest of the liturgical year, according to the 1960 system:
July 30 – IX after Pentecost
August 6 – the 1st Sunday of August (X after Pentecost, omitted on the feast of the Transfiguration)
August 20– the 3rd Sunday of August (XII after Pentecost)
August 27 – the 4th Sunday of August (XIII after Pentecost)
September 3 – the 1st Sunday of September (XIV after Pentecost)
September 10 – the 2nd Sunday of September (XV after Pentecost)
September 17 – the 3rd Sunday of September (XVI after Pentecost; Ember week)
September 24 – the 4th Sunday of September (XVII after Pentecost)
October 1 – the 1st Sunday of October (XVIII after Pentecost)
October 8 – the 2nd Sunday of October (XIX after Pentecost)
October 15 – the 3rd Sunday of October (XX after Pentecost)
October 22 – the 4th Sunday of October (XXI after Pentecost)
November 12 – the 3rd Sunday of November (V after Epiphany resumed)
November 26 – the 5th Sunday of November (XXIV and last after Pentecost)
The number of Sundays “after Pentecost” assigned to the Missal is 24, but the actual number varies between 23 and 28. The “24th” is always celebrated on the last Sunday before Advent. If there are more than 24, the gap between the 23rd and 24th is filled with the Sundays after Epiphany that had no place at the beginning of the year. The prayers and readings of those Sundays are inserted into the Mass of the 23rd Sunday (i.e., the set of Gregorian propers.) The Breviary homily on the Sunday Gospel and the concomitant antiphons of the Benedictus and Magnificat also carry over in the Office. This year, therefore, on November 12th, the Mass is that of the V Sunday after Epiphany resumed, and on November 19th, that of the VI Sunday after Epiphany resumed.
If this all seems a little complicated, bear in mind that the oldest arrangement of the Mass lectionary that we know of was even more so. The oldest lectionary of the Roman Rite, a manuscript now in Wurzburg, Germany, dates to ca. 700, and represents the system used at Rome about 50 years earlier. It has a very disorganized and incomplete set of readings for the period after Pentecost; the Sundays are counted as 2 after Pentecost, 7 after Ss Peter and Paul, 5 after St Lawrence, and 6 after St Cyprian, a total of only 20. There are also ten Sundays after Epiphany, even though Septuagesima is also noted in the manuscript, and the largest number of Sundays that can occur between Epiphany and Septuagesima is only six.
Wednesday, July 26, 2023
The Cathedral of Pistoia
Gregory DiPippoThe Romanesque bell-tower and façade, both of the mid-twelfth century, with considerable alterations and additions made in subsequent centuries.
The Feast of St Anne 2023
Gregory DiPippoThe Madonna and Child with St Anne, by Masaccio (Tommaso di Ser Giovanni di Simone), ca 1424. Galleria degli Uffizi. Florence |
Tuesday, July 25, 2023
A Famous Medieval Relic of St James the Greater
Gregory DiPippoBetween 1287 and 1456, the chapel’s altar was commissioned in different stages. The various parts of it have been dismantled, reassembled and reordered on several occasions; during the Second World War, it was taken apart and removed to a deposit for safe-keeping. and afterwards reassembled. The current arrangement dates from the year 1953. Since the panels are made of silver, it is now kept behind rather thick glass to prevent people from touching them, which makes a certain amount of lens flare unavoidable.
Several parts of this upper panel were originally a frontal. Two of the figures were stolen and never recovered; this is why the figures which were inserted in the niches to either side of St James’ head to replace them are slightly too large.
Full 2-Year Formation in Iconography At St Vladimir’s Orthodox Seminary - Open to Catholics
David ClaytonDr George Kordis, renowned iconographer and former artist-in-residence at the Institute of Sacred Arts at St Vladimir’s Orthodox Theological Seminary in Yonkers, New York, is launching a two-year program in Byzantine iconography. Open to Catholics, this is a hybrid program, which is predominantly online, with individualized residencies in the United States or Greece.
The Writing the Light program curriculum is ideally designed for a 2-year period of study, but is responsive to each individual student and their specific needs with flexibility and affordability.
A final thesis of an original composition of an icon(s) will be the culmination of the program coursework, with an exhibition at the Mets Art Center in Athens, Greece, and/or at another appropriate exhibition space in the United States.
Upon completion of the program, each student will have gained:
- a well-rounded foundation in the studio practice of iconography,
- preparation to continue working towards a professional level within the structure of sacred Christian Orthodox art,
- accomplishment of specific artistic studies to pursue a passion.
NOTE: the Certificate program with Writing the Light does not count towards academic credit with St. Vladimir’s Seminary.
TWO CORE PARTS TO THE CURRICULUM:
ONLINE – Classes are a balanced combination of a recorded (asynchronous) e-learning system and LIVE (synchronous) virtual seminars and classes delivered through Zoom and Vimeo, with long-distance critique and oversight.
RESIDENCIES – There are four required residencies and multiple options for students to choose from. These immersions are a critical part of the program to provide valuable in-person instruction, critique and oversight for growth and artistic progress. With an international scope, these 7 to 10-day residencies are a critical part of the program to provide valuable in-person instruction, critique and oversight for growth and artistic progress. The flexibility for students to choose the location and time of year of the residencies to fit into their life schedule is a major asset to the program.
CRITICAL EXPERIENCES
+ One-on-one mentorship with Dr. George Kordis
+ Structured instruction with proven methods
+ Rigorous iconographic practice and discourse
+ Focused studio production
+ Concept and creative development
+ Critical analysis and articulation
+ Exposure to early Byzantine examples
+ Immersion in contemporary iconography
+ Knowledge of best Professional practices
+ Networking opportunities within an international community of iconographers
+ One-of-a kind professional internships
+ Experience from portable icons to professional church painting
Students in this program will:
Mentor under one of the leading iconographers, artists and Byzantine scholars in the world with Dr. George Kordis
Create a unique body of their own iconographic work based on the building blocks of the Byzantine system, yet living in Christian tradition
Demonstrate the skills, knowledge and discipline necessary for a successful professional pursuit of iconography in the specialized field of sacred arts
Develop a “Tool Box” of sustainable working methodologies to support and challenge each student’s personal studio practice alongside professional-level skills
Gain extensive experience using traditional and modern iconographic art materials and diverse painting techniques
Accomplish a solid, working knowledge of Theology and Aesthetics in Byzantine Iconography
Understand the history, theories and movements that have shaped Byzantine iconography with a foundation in its contemporary practice internationally
Effectively gain an understanding of both traditional and modern techniques necessary to create beautiful and original new work centered around tradition and individual style
Actively engage with a supportive, extended creative community of new friends
Develop a diverse international and professional network
Meaningfully contribute to artistic culture and the advancement of sacred arts
Share creative work with a professional Thesis Exhibition in Athens and/or New York
Obtain a Certificate of accomplishment given by Writing the Light
Be prepared to advance to a professional level within their own practice
Monday, July 24, 2023
Doing Without the Prayers of the Saints
Peter KwasniewskiHere is a synthesis of some of the teaching, in the Ordinary of the modern missal, on the intercession of the Saints: By their intercession, we receive sure support. Their fervent prayers sustain us in that all we rightly do. Their merits and prayers can gain us the constant help and protection of God. We rely on their constant intercession in the presence of the Lord for unfailing help. [1] So the postconciliar missal recognizes the great help that can be obtained by the People of God through the intercession of the saints. And yet it very often, according to the options made use of, does not ask for this intercession.
In Eucharistic Prayer II it says:
Have mercy on us all, we pray, that with the blessed Virgin Mary, Mother of God, with the blessed Apostles, and all the Saints who have pleased you throughout the ages, we may merit to be co-heirs to eternal life, and may praise and glorify you...The mercy requested is that we, the faithful, would merit to be with the Saints in eternal life. But their intercession is not asked for.
In Eucharistic Prayer III it says:
May he make of us an eternal offering to you, so that we may obtain an inheritance with your elect, especially with the most blessed Virgin Mary, Mother of God, with your blessed Apostles and glorious Martyrs and with all the Saints, on whose constant intercession in your presence we rely for unfailing help.The intercession of the Saints is not explicitly requested, although it is praised.
It is an important thing in the “economy of salvation,” the Lord’s household arrangement (so to speak), that we ask. “Whoever asks receives,” Our Lord taught us. This implies that whoever does not ask, does not receive—or at least, does not receive as much as he might.
The saints are constantly interceding for us. Their merits and prayers are efficacious and operative in the flow of divine grace to us, in the communion of saints. But they can do so much more for us if only we were to ask for their intercession and help.
Here we can see one of the ways in which the traditional Roman missal is superior to the postconciliar one, as regards both the welfare of the Church militant and the salvation of the entire world. In the traditional Ordo Missae, the intercession of the saints is requested seven times. In a very common and perfectly licit variation of the modern Mass, the intercession of the Saints is requested zero times.
What difference might this make in the life of the Church on earth?
But that is only the first level of the issue. As my friend Hilary White likes to say, one reaches what one thinks is the bottom, and then a trap door opens and one realizes that the bottom is further down. “Have we hit rock bottom yet?” is, in liturgical discussions, by no means a frivolous question.
So, when we discover that even the 1962 missal, as much better as it is, is vastly inferior to the practices of the pre-55 missal as regards precisely this point—the intercession of the saints—we realize that the Novus Ordo was not a sudden departure but rather a continuation of a process of denudation, evisceration, suppression, that was already under way prior to the Council, and which appeared to legitimize the direction in which the Consilium acted.
As I discuss in the last chapter of my book The Once and Future Roman Rite, for centuries it was the custom for priests to say or to sing more than one set of orations (Collect, Secret, Postcommunion) at Mass. The rubrics told the priest which additional prayers to use. For example, in Advent, from the first Sunday, the Missal prescribed the addition of a second Collect of the Blessed Virgin Mary and a third Collect either for the Church or for the pope, although if there were saints to be commemorated, their prayers would be used instead.
Here, for example, are the orations that were added “To implore the intercession of the saints,” appointed for the time between Purification and Ash Wednesday and during the Time after Pentecost (translation from the St. Andrew Daily Missal, 1945 edition, p. 1712):
Collect. Defend us, we beseech Thee, O Lord, from all dangers of mind and body; that through the intercession of the blessed and glorious ever Virgin Mary, Mother of God, together with blessed Joseph, Thy blessed apostles Peter and Paul, blessed N. [titular saint of the church], and all the saints, mercifully grant us safety and peace, that all adversities and errors being overcome, Thy Church may serve Thee in security and freedom. Through the same Lord Jesus Christ Thy Son…
Secret. Graciously hear us, O God our Savior, and by the virtue of this sacrament protect us from all enemies of soul and body, bestowing on us both grace in this life and glory hereafter. Through our Lord Jesus Christ…
Postcommunion. May the oblation of this divine Sacrament both cleanse and defend us, we beseech Thee, O Lord, through the intercession of the blessed Virgin Mary, Mother of God, with blessed Joseph, Thy blessed apostles, Peter and Paul, blessed N. [titular saint of the church], and all the saints, render us at once purified from all perversities and freed from all adversities. Through our Lord Jesus Christ…
A large number of the required additional orations had precisely this character of invoking the intercession of the saints. Ask, and you shall receive.
On Sundays, too, saints would be commemorated instead of simply ignored. In late June it would be quite possible to have a situation where the Third Sunday after Pentecost fell within the Octave of the Sacred Heart and of the birth of Saint John the Baptist. The priest at Mass would say or sing Sunday’s oration, followed by those of the Sacred Heart and of Saint John the Baptist. Ask, and you shall receive, grace upon grace.
Prior to 1955, the maximum number of Orations at a low Mass on simple days was five or seven (depending on circumstances). In 1955, this number was reduced to three, and mandatory prayers of the season were abolished. In 1960, the possibility of additional orations was reduced still further, and, for most Sundays of the year, done away with altogether. Do not ask; do not receive.
Think about this: thousands of priests were praying for these intentions daily at the altar, in the voice of the Church, in the name of Christ, the prayer most pleasing, most acceptable, most heard… and then suddenly: GONE.
If we believe in the power of prayer—if we believe that liturgical prayer is the highest form of it—then wouldn’t this have some consequences? Is it possible to believe that the sudden abandonment of thousands of Masses in which the pope was being prayed for with quite specific and “demanding” intentions, or in which the Virgin Mary, local patron saints, even all of the saints were being called upon, could have no effect in the spiritual order? Is it possible to believe this and still be a believer?
It is not fanciful to think that there is at least some connection between the official abandonment of liturgical prayer asking for the intercession of the saints and the grievous afflictions of the Church on earth since about the time when these orations began to be systematically canceled.
NOTE
[1] Exact phrases: “By their intercession, sure support” (Preface I of the Saints); “their fervent prayers sustain us in all we do” (Preface II of the Saints); “their merits and prayers [can] gain us [God’s] constant help and protection” (Eucharistic Prayer I); “[the] constant intercession in your presence [of the saints] [can give us] unfailing help” (Eucharistic Prayer III).
Saturday, July 22, 2023
The Feast of St Mary Magdalene 2023
Gregory DiPippoA 16th-century Cretan icon of the meeting of the Risen Christ and Mary Magdalene at the tomb. (Public domain image from Wikmedia Commons.) |
This hymn, attributed to an 8th-century hymnographer named Byzas of whom apparently very little is known, meditates on salvation in Christ by a beautifully constructed series of contrasts, broadly arranged in a “chiasmus”, a rhetorical structure in which the elements of the first part are repeated in reverse order in the second part. Christ takes on our “poverty”, (not our material poverty, but the poverty of our human existence, as opposed to His divine life), in order to “bestow” the largess of His great mercy on humanity. Mary Magdalene ministers to Christ “as a disciple”, and is therefore sent to proclaim the Resurrection to His brethren, for which she is traditionally called “Apostle of the Apostles.” The word “Tree” is used instead of “Cross” to remind us that the garden of Eden, lost by the transgression of our first parents, is restored to us in the garden (note the tree and the greenery in the icon) where the Lord’s tomb is situated, and where the tears of both Mary Magdalene and of her and our foremother Eve are wiped away. An angel was set to block the entrance to Eden with a fiery sword; its heat is now quenched by the dew of Christ’s words. At the center of the hymn, “He that giveth life to the dead is reckoned among the dead”, and the “perfumes” which Mary brings to Him are contrasted with the foul smell that He drove away from her when He “expelled from her seven demons,” as stated in the Byzantine Gospel for her feast day, St Luke, 8, 1-3.
Historical Images of Notre-Dame de Paris: A Collection by Sharon Kabel (Part 2)
Gregory DiPippoHere is the second part of Sharon Kabel’s collection of images of the interior of Notre-Dame de Paris, which she gracious agreed to share with us: the first part was published on Wednesday. This covers the period from the Revolution to modern times, during which the church was severely damaged in more than one way. The motto of the city of Paris is “Fluctuat, nec mergitur – it is tossed by the waves, but not sunk”, and this applies to its cathedral as well, as these images beautifully show.
1793 An idolatrous festival celebrated in the cathedral, dyring which the Jacobins had an actress sit on the high altar, dressed as the goddess Reason. 1793, J. M. Will: Augsburg. https://gallica.bnf.fr/ark:/12148/btv1b52509803t?rk=1373397;2