Pax inter Spinas, the publishing house of the Monastère St Benoît in Brignoles, France, has just announced the upcoming publication of a ceremonial book specifically for the traditional rites of Holy Week as they were before the reform of 1955, as well as the vigil of Pentecost. It will include the relevant portions of the last edition of Fortescue-O’Connell before the reform (1953), edited by Dom Alcuin Reid in such a way that the single volume contains everything necessary to do Holy Week. The final publication price will depends on the amount of interest in the book, its final size after typesetting, etc., but it will certainly be a worthy edition, hardback with a marker ribbon, designed to last much reference over many Holy Weeks. To register interest, and to receive full publication details and a special pre-publication discount offer, please email the publisher by September at: editionspaxinterspinas@monasterebrignoles.org
Friday, April 30, 2021
A New Ceremonial Book for the Old Holy Week
Gregory DiPippoPosted Friday, April 30, 2021
Labels: Adrian Fortescue, Alcuin Reid, Holy Week, Monastère Saint Benoît
The School of Love in the Collect for the Fourth Sunday after Easter
Michael P. FoleyIf the Eucharist is, as Pope Benedict XVI calls it, the “great school of love,” [1] then it is fitting that the prayers of the Eucharistic liturgy should at least on occasion attempt to school our desires. The Collect of the Fourth Sunday after Easter is a fine example of this effort:
Deus, qui fidelium mentes uníus éfficis voluntátis, da pópulis tuis id amáre quod práecipis, id desideráre quod promittis: ut inter mundánas varietátes ibi nostra fixa sint corda, ubi vera sunt gaudia. Per Dóminum.
O God, who makest the minds of the faithful to be of one purpose, grant to Thy people to love that which Thou dost command, to desire that which Thou dost promise; so that, amidst the changing things of this world, our hearts may be there fixed where joys are true. Through our Lord.
It is an error, or rather a heresy, to say that devotion is incompatible with the life of a soldier, a tradesman, a prince, or a married woman. [2]
Just as the pearl oyster lives in the sea without ever taking in a drop of salt water, and just as by the Chelidonian Islands springs of fresh water may be found in the midst of the sea, and just as the firefly passes through the flames without burning its wings, so also can a vigorous and resolute soul live in the world without being infected by worldly ways, can discover sweet springs of piety amid its salt waters, and can fly through the flames of earthly lusts without burning the wings of the holy desire for a devout life. [3]
Thursday, April 29, 2021
Blessed Carino, the Assassin of St Peter Martyr
Gregory DiPippoThe Assassination of St Peter Martyr, ca. 1507, by the Veneatian painter Giovanni Bellini (1430 ca. - 1516; public domain image from Wikimedia Commons.) |
In 1879, before the Dominican house of Forlì was confiscated by the Italian state, the relics of Bl. Carino were moved to the cathedral. In 1934, at the behest of the Blessed Ildefonse Schuster, his head and part of his body were translated to the church of St Martin in Balsamo, his native town, to be followed by the rest of the relics thirty years later. The seminary of Seveso, close to where the actual martyrdom took place, retains one of the most particular relics in history, the weapon which he used to kill St Peter.
The knife which Carino used to kill St Peter the Martyr |
Wednesday, April 28, 2021
The Feast of Saint Joseph the Worker
Michael P. FoleyDevotion to Saint Joseph can be an interesting “sign of the times,” a barometer of the crises that the Western believer faces. It is said that one of the reasons why Catholics in the late Middle Ages began praying to the Holy Family (which develops alongside Josephite piety) is that their own families were being confronted with new challenges. And devotion to Jesus, Mary, and Joseph became popular in the New World in part because it counterbalanced damage to the family caused by colonization. We also speculate that Joseph was a beloved saint in twentieth-century America because he was the kind of man most Catholic men at the time aspired to be: a quiet, strong patriarch who kept his head down but provided for his family and never failed to protect them.
Smiting on an anvil, sawing a beam, whitewashing a wall… sweeping, scouring, everything gives God some glory if being in His grace you do it as your duty… A man with a dungfork in his hand, a woman with a sloppail, give Him glory too. He is so great that all things give Him glory if you mean they should. [32]
Cardinal Pell and Bishop Strickland at Catholic Family Conference, May 1, Irving, Texas (and Online)
David ClaytonThe 2nd annual Catholic Family Conference, presented by Regina Caeli Academy and Carmel Communications, will be held on Saturday, May 1, 2021 at the Westin Irving Convention Center, located at 400 West Las Colinas Blvd in Irving, Texas.
Cardinal George Pell and Bishop Joseph Strickland headline this year’s conference. Last year’s fully virtual event attracted over 40,000 people; the 2021 conference offers attendance virtually or in-person. Dr. Ralph Martin, Noelle Mering, Trent Horn, and Steve Ray are among the impressive lineup of speakers.
The purpose of the conference is “to inspire, strengthen and enlighten families with the truths of the Faith.” In this year of St Joseph, the Catholic Family Conference will consider in a special way this patron of the Universal Church and head of the Holy Family. The speakers, both lay leaders and prelates of the Church, will address the concerns, struggles, and joys facing today’s Catholic families in a world and culture that are rapidly changing.
Tuesday, April 27, 2021
Tradition is for the Young - Rogation Photopost 2021
Gregory DiPippoSacred Art at Antique Auctions - A Crisis and An Opportunity
David ClaytonThis week, I present a guest article by a friend of mine, Andrew Marlborough, who worked in the art gallery business for 10 years before joining seminary in England. He told me recently that he sees a lot of high-quality art going to auction that could still have a Catholic purpose, and so I asked him to describe what he sees at the auction houses. He suggests the creation of a non-profit to collect these. Given the prices that he quoted below, these are items that churches and individuals can consider buying directly if they can get some guidance on where and when they are sold. The auction houses Andrew is looking at are listed below.
Andrew writes: It’s a sad fact of these times that the Church in the West is hemorrhaging its material culture at an alarming rate. Every week across Europe and America, thousands of sacred and devotional artworks are sold through live and online auctions, and by dealers. Some come from declining religious orders or closing parishes; others are perhaps inherited by non-practicing family members who sell them. Among the many objects being sold, it is especially disturbing to see so many sacred vessels and relics.But as we know, a crisis can also be an opportunity. The crisis of faith which underpins this situation can help us return to the Lord when we realize we are lost without Him. Seeing so much Catholic art being sold can motivate us to assess the importance of beauty and culture in the Church’s mission, and to do all we can to ensure it is once again used to glorify God. This means we need Catholics with the funds and interest who are willing to buy things back from the open market. To do this is an act of charity not to be underestimated.
It would be wonderful if someone were to establishe a non-profit organisation with the mission of rescuing Catholic sacred and devotional art, and other cultural material, from the open market, to restore its use or preserve it respectfully. A good model which could be adapted from a secular context is that of the National Art Collections Fund in the UK, which provides funding for museums and institutions to save nationally important works of art from the open market. As this doesn’t exist yet for a Catholic context, it is necessary to engage directly with auction houses and dealers. This can be a little daunting but also enjoyable, and many of these businesses have made great improvements in customer service in recent years. Whilst the more expensive objects sometimes make the Catholic news, many more affordable things appear frequently. What follows is a small snapshot of things sold in recent months. Prices given exclude the auctioneer’s commission, which is generally between 20% and 25% of the sellingprice.
Figure 1 |
Figure 2 |
Figure 3 |
These included a large and sensitively-painted study of the Adoration with St Francis (fig.4) attributed to Jacob van Oost (1603-1671), and dated 1648. It outstripped its 3,000-5,000 Euro estimate to sell for 18,500 Euros. The work had been previously inventoried by the Belgian Royal Institute for Cultural Heritage, suggesting its importance.
Figure 4 |
Detail |
Monday, April 26, 2021
How Liturgical “Forms” Concretely Define Religious Belief — or Undermine It
Peter KwasniewskiAs a layman, it bothered me that this longstanding and sensible custom had disappeared, so I decided to pose a number of questions to a sizeable group of priests who celebrate the usus antiquior, primarily to learn the importance they themselves attach to the custom. The results were published at NLM in five installments, with a concluding reflection (links may be found here). One priest responded to the series with the following account:
At the Mass in which I was ordained a deacon, the Eucharist was “served” from a glass dish of sorts … I purified it with great care after Holy Communion; it required a rather noticeable period of time to do so, which was obviously more than local clergy and people were used to. After that Mass both the vocation director and the ordaining bishop “corrected” me on this matter, with the bishop reminding me that the purification was only a “ritual purification” and that such care was not needed in carrying it out, since a sacristan would wash everything after. (A totally incoherent position.)This author has put his finger (if I may say so) on the nub of the problem. The Catholic faith is not something purely abstract that we learn and assent to as an intellectual exercise. We learn our faith and we discern its meaning through practice, through what we do with or to the words, things, and persons that embody this faith. How we speak to Our Lord or about Him; how we handle the sacramental signs and, above all, His all-holy and life-giving Body and precious Blood; how we treat our priests and how they treat their people. This is where we find out, experientially, day after day, what the Catholic religion is — and whether it has been replaced by a rival system of belief.
This was my introduction — and a rather painful one, at that — to the practical lack of faith on the part of the clergy in the Real Presence, which I have witnessed and experienced many times in the 11 years since then. I say “practical,” because few would deny the Real Presence and most would even defend it quite eloquently. But the way they actually handle the Eucharist betrays their lack of understanding and/or belief. (This is particularly the case with how they handle the Precious Blood, the purificator, etc. — but this is the topic of another discourse.)
Therefore, when I began to study the usus antiquior and learned about the detailed and systematic process of purification, which really leaves little room for error, and of the practicalities such as holding the consecrating digits together until purification, my faith was confirmed. And, although knowledge of the Church’s historic practice served, perhaps, to heighten my awareness of just how bad things generally can be now, and thus heightened my sense of pain, yet at the same time, it was a consolation to know that I was on the right track.
In our practice, we teach ourselves; by our example, we teach those around us, especially children. This is where modern liturgy has grievously failed, in numerous ways and as a matter of practice, through its repudiation of the meaning of vital forms of expression, forms that convey the essence and purpose of the Mass. What is at stake in the escalating tensions between divergent liturgical “sensibilities” is not just mere “form” (as if we were talking about matters of taste or fine art), but rather, the meaning inherent in form and expressed by it — that is to say, truth. And not truth alone, but justice, as in the virtue of justice by which we give to God and the things of God that which they rightly demand and which we owe as His creatures and dependents. Thus, the divergence between “old rite” and “new rite” is a divergence of truth and justice: two different “religions,” taking this word in its Thomistic acceptation.
Just as the reverent forms and practices of the traditional liturgy point to and express vital truths for our faith, the numerous casual practices that permeate Novus Ordo liturgies are not coherent with the meaning and the purpose of the Mass. A friend of mine, a young lady who transitioned a few years ago from the Novus Ordo to the traditional rite, sent me a reflection that illustrates this point:
In my years attending the N.O. at very mainstream parishes (not like Oratorians at all), I experienced a palpable and oppressive sense of what I can only describe as a dictatorship of the casual. It wasn’t that I didn’t personally wish for more reverence, but the atmosphere just made it feel very out of place. It felt strange to be one of the few who bowed in the creed (we never dreamed of making a genuflection). It felt equally strange to show extra reverence such as bowing of the head after adoring the host at the consecration. Some faithful received on the tongue, but this was unusual. If one stayed in the pew, even for a moment, to make acts of thanksgiving after Holy Mass, one was most certainly in the minority. Then of course there was the chit-chat about sports games, social events, and all kinds of trivialities that took place in the Sacred Presence. Also there were frequent rounds of applause tucked into liturgies. Rounds of applause for a good joke in the homily, for a speaker advertising the parish picnic, for the choir upon completion of the rousing recessional song — the occasions were all too frequent.
There is a pervading “bad attitude” that results in this oppressive dictatorship of the casual. It is a mystery to me what drives this insidious force. It took root years ago, but why does it still thrive when many good people in these parishes desire, if only in a vague way, greater reverence? Now, I know that we should all be willing to openly express our faith in God even unto death. However, something has gone terribly wrong when one feels a furtive sense, almost guilt — a feeling of “Well, who do you think you are, acting all holy!” — when one expresses reverence in a visible act.
I’ll give a vignette that comes to mind. My sisters and I thought wearing veils would be kind of nice, but I remember my argument against it was: “We’re already such a distraction up in front of church playing our instruments in view of everyone. Then we’re going to throw veils into the equation? Besides they don’t ‘go’ with the kind of music we play.” I really don’t know if that reasoning was sound, but it illustrates the conundrum of reverence-hungry faithful who find themselves in the rigid N.O. framework. It’s a framework where piety and devotion often look ridiculous. Think of it: we have on our hands an atmosphere where showing due honor to Our Lord in what is supposed to be His house, at what is His Sacrifice, looks ridiculous. This is a brazen evil.
It is ironic that some Novus Ordo proponents criticize those who favor the traditional liturgy as people fixated on form, when in reality it is impossible not to care about form, since there is no truth accessible to us humans without the clothing of form. Every liturgy comes to us as a definite concrete set of forms with their own inherent meaning, and this meaning will be either full, rich, accurate, and nourishing of orthodoxy, or banal, impoverished, ambiguous, and inadequate to our needs. In this sense, everyone is fixated on form because human language and spiritual activity are formal through and through. The primacy of form, and the corresponding priority of getting it right, are inescapable; there is no “essential thing” independent of form that is “enough” for us.
No doubt, truth is known by the divine intellect apart from any created form; but men know the truth as expressed in a definite way, under sensible and intelligible signs. Some signs are well suited to the truth they signify, and others are not. For example, solemnity is compatible with, indeed required by, the notion of the sacred, while casualness and spontaneity are not.
Martin Mosebach’s The Heresy of Formlessness illuminates the folly (and ugliness) of imposing on ourselves the modern faith in abstract society and an abstract world with abstractions reigning globally and governing relationships individually, in contrast to the real spiritual vitality that can be found in things, real things, and how real things and actions resonate in the spiritual realm. This sensitivity to material reality is something our society has lost — not only the idea that there is a spiritual reality encompassing the material world, but also that we touch the spiritual through what we do with matter, or, in other words, that the form of things and what we do with them matters in the life of the spirit. One sees the same Cartesian contempt for the flesh in the liturgical reform, which strips barren the inherited treasury of forms in order to present as purely verbal and conceptual a worship as is still consonant with public human activity.
As the historical record indicates, Modernity fears Catholicism because Catholicism reminds it — reminds us — that reality includes the supernatural, that which encompasses and penetrates the natural with mysterious powers that reason can approach, but only through faith and analogy. This approach requires a surrender to the divine and an acceptance of tradition that modern epistemology in its egocentric rationalism and voluntarism cannot tolerate. Like liberalism in Newman’s analysis, a halfway house between Catholicism and atheism, the Novus Ordo is a halfway house between a time-embracing and time-transcending tradition and a modernity trapped in its own death spiral.
In the cycles of history, including the history of salvation unfolded for us in Scripture, we perceive times of exile, as well as the varied responses people make to their exilic condition. It seems that we are living in a peculiar time marked by institutional self-exile, as if the Church had become its own Pharaoh and Pilate. That is no excuse for failing to do what we can and must as children of Israel, as disciples of Christ; rather, it is the perfect opportunity to pray for and seek a return to Catholic tradition, having at its heart a liturgy that is worthy of — and truly communicative of — the most important work the Church does, and, consequently, that is capable of serving as the foundation for a coherent future.
Posted Monday, April 26, 2021
Labels: aesthetics, Barron, canonical digits, catechesis, lex orandi, modernity, Peter Kwasniewski
Sunday, April 25, 2021
The Feast of St Mark the Evangelist
Gregory DiPippoFriday, April 23, 2021
Catch Up with the Latest Episodes of Square Notes Season 3
Jennifer Donelson-NowickaThe Joyful Orations of the Third Sunday after Easter
Michael P. FoleyDuring the forty days between Easter and Ascension Thursday, the Church exults in the sheer joy of the Resurrection, a joy likened to the euphoria of a mother holding her baby in her arms for the first time. “A woman, when she is in labour, hath sorrow, because her hour is come,” says Our Lord in the Gospel for the day, “but when she hath brought forth the child, she remembereth no more the anguish, for joy that a man is born into the world.” (John 16, 21)
But the Church is also mindful of the neophytes who were given new life during the Easter Vigil, and continues to pray for them and instruct them. In the Epistle (1 Pet. 2, 11-19), St Peter tells us not to use our newly-gained liberty as a cloak for malice, but to think of ourselves as pilgrims passing through this world on our way to the eternal joy which our earthly Easter celebrations betoken. Such admonitions, of course, are equally applicable to all Christians, whether their baptism occurred weeks or years ago.Deus, qui errántibus, ut in viam possint redíre justitiae, veritátis tuae lumen ostendis: da cunctis qui christiána professióne censentur, et illa respúere, quae huic inimíca sunt nómini; et ea quae sunt apta sectári. Per Dóminum.
O God, who dost show to them that go astray the light of Thy truth, that they may return to the path of justice; grant to all those who are marked by their profession of the Christian faith to reject those things which are hostile to this name, and to follow those things that befit it. Through our Lord.
His nobis, Dómine, mysteriis conferátur, quo terréna desideria mitigantes, discámus amáre caelestia. Per Dóminum.
Grant, O Lord, that by these mysteries it may be conferred upon us to mitigate our worldly desires and to learn to love the heavenly. Through our Lord.
Sacramenta quae súmpsimus, quáesumus, Dómine, et spirituálibus nos instaurent alimentis, et corporálibus tueantur auxíliis. Per Dóminum.
May the sacraments that we have received, we beseech Thee, O Lord, restore us with spiritual nourishment and protect us with bodily aids. Through our Lord.
Thursday, April 22, 2021
The Ambrosian Liturgy of Easter Week - Part 4: the Masses of Friday and Saturday
Gregory DiPippoWe continue with Nicola de’ Grandi’s notes on the Ambrosian liturgy of Easter week; previous parts of this series may be read at the following links: part 1; part 2; part 3.
St Ambrose, by the Neapolitan painter Cesare Fracanzano (1605-51) |
Christ Washing the Feet of the Disciples, 1548-49, by the Venetian painter Jacopo Robusti (1518-94), more commonly known by the nickname Tintoretto. This painting, which is now in the Prado Museum in Madrid, is one of the artist’s six version of this subject; the companion piece of the Last Supper still hangs in its original location, the choir of the church of San Marcuola in Venice. The paintings are quite large, 7½ feet tall by 17½ wide. (Public domain image from Wikimedia Commons.) |
St Ambrose Baptizing St Augustine; Folio 37v of the book of Hours known as the Très Riches Heures du Duc de Berry, by the Limbourg Brothers, ca. 1412-16. The image is inserted into the text of the Te Deum because of the tradition that the two Saints composed this hymn on this occasion; note that Augustine is identified by an anachronistic (in many ways) episcopal miter. (Now at the Musée Condé in Chantilly; public domain image from Wikimedia Commons.) |