Friday, May 29, 2020

The Paleo-Christian Basilica of St Simplician in Milan

On the Ambrosian calendar, today is the very ancient feast of a group of three martyrs called Sisinnius, Martyrius and Alexander. They were originally from Cappadocia in Asia Minor, but in the days of St Ambrose, came to Milan, then the de facto imperial capital. At that time, all of northern Italy belonged to the ecclesiastical province of Milan, and St Vigilius, the bishop of Trent, had asked his metropolitan for assistance in evangelizing his region. The mission was entrusted to the three Cappadocians, Sisinnius being ordained deacon, Martyrius a lector, and Alexander a porter. In the valley of Anaunia to the north of Trent, they were able to make a good number of converts, and build a church in one of the villages. (All the photos in this article are by Nicola de’ Grandi.)

The relics of St Sisinnius, Martyrius and Alexander in the basilica of St Simplician in Milan. 
Here, they were attacked by the local pagans on the day of a festival, and Sisinnius was beaten so badly that he died a few hours later. In the letter describing their martyrdom, St Vigilius notes that Martyrius was able to hide in a garden attached to the church, but he was unwilling to abandon the sacred place; when he was discovered and taken the next day, the pagans had to fix him to a stake in order to drag him away. Before they could get him to the idol before which they would have sought to compel him to offer sacrifice, he died from being dragged over the sharp stones on the route. Alexander was also taken, and having resisted all attempts to make him repudiate the Faith, he was thrown alive in the fire on which the bodies of the other two were being burned. As happened with many other martyrs, the faithful carefully gathered up the Saints’ ashes, and brought them to Vigilius, who later built a new church on the site of the martyrdom. On two different occasions, Vigilius sent relics of the martyrs to a fellow bishop, once to St Simplician, St Ambrose’s personal friend and later successor, and again to St John Chrysostom; the letters which accompanied them both survive. (Simplician, by the way, was the priest of Milan chosen to complete Ambrose’s instruction in the Faith when the latter, still a catechumen, was chosen bishop by popular acclamation. He outlived his famous student, even though he was older than him, but only by a few years.)

During his time as bishop of Milan, St Ambrose had built four basilicas at roughly the four cardinal points of the city, dedicated to the Apostles, the Prophets, the Martyrs and the Virgins, as a way of reinforcing the city’s Christian character and placing it under the protection of the Saints. When the relics of the martyrs Gervasius and Protasius were discovered, they were placed in the Basilica of the Martyrs on the west side of the city; St Ambrose then arranged for himself to be buried there with them, and the church has subsequently been renamed for him. The same happened with St Simplician, who placed the relics of the three martyrs of Anaunia in the basilica of the Virgins on the north side of the city, arranging for himself to be buried there, and the church is now renamed for him.
The relics of St Simplician in the same church.
As is almost always the case with such ancient churches, the building has undergone many transformations since its original construction. However, the basic structure of the chapel made to house the martyrs’ relics survives; recent archeological study has confirmed that it dates to the very late 4th or early 5th century, the period of Simplician’s episcopacy.
The basilica originally had only one nave, and a trussed wooden roof; the pilasters that divide it into three naves and the brick vaults of the ceiling were added later.
The external walls are also the originals of the paleochristian church, and although the upper part has been rebuilt, this is the only one of St Ambrose’s four basilicas which still stands at its original height, just over 72 feet. The pavement level of the church, however, has been raised by about 6 feet.
The modern façade was added in 1870, a very creditable reconstruction of the northern Italian Romanesque style.
External view of the south transept, a medieval rebuilding.
In the foreground, the chapel of the martyrs, which was originally detached from the main basilica; to the right of the chapel, the original paleo-christian arcades of the basilica’s north transept. The apse seen to the left of the chapel was added in the 11th or 12th century.
Fresco of the Coronation of the Virgin in the apse, ca. 1510, by Ambrogio da Fossano, also known as Bergognone (1470 ca. - 1523).
The monastic choir, which was considerably enlarged in 1517. This necessitated moving the high altar, which led to the discovery underneath it of the relics of Ss Simplician, the three martyrs of Anaunia, with whom were also buried Vigilius of Trent, and three Sainted bishops of Milan, Benignus, Ampellius and Gerontius.
The tabernacle of the main altar; the names of the principal Saints whose relics are in the basilica are written on the altar frontal.
The chapel of the Holy Rosary...
which also has a beautiful tabernacle.

More recent articles:


An Interview with Fr Uwe Michael Lang on Liturgy
I am sure that our readers will enjoy this interview with the liturgical scholar Fr Uwe Michael Lang of the London Oratory, which was recently published on the YouTube channel of the Totus Tuus Apostolate. It covers a wide range of subjects: Pope Benedict’s teaching on the liturgy, the liturgical abuses in the post-Conciliar period and our own time...

Dives and Lazarus in the Liturgy of Lent
Before the early eighth century, the church of Rome kept the Thursdays of Lent (with the obvious exception of Holy Thursday) and the Saturdays after Ash Wednesday and Passion Sunday as “aliturgical” days. (The term aliturgical refers, of course, only to the Eucharistic liturgy, not to the Divine Office.) This is attested in the oldest liturgical bo...

The Feast of St Joseph 2025
Truly it is worthy and just... eternal God: Who didst exalt Thy most blessed Confessor Joseph with such great merits of his virtues, that by the wondrous gift of Thy grace, he merited to be made the Spouse of the most holy Virgin Mary, and be thought the father of Thy only-begotten Son, Jesus Christ, our Lord. Wherefore, venerating the day of his b...

Why Should We Build Beautiful Confessionals?
Confession is a sacrament in which we confess dark deeds, shameful sins, cowardly compromises, repeated rifts. It is something we often wish more to be done with than to do; we know we must go, that it is “good for us” as a visit to the dentist’s or the doctor’s is good for us. It might seem as if the place where we fess up, red-handed, and receive...

Both the Chaos of Jackson Pollock and the Sterility of Photorealism are Incompatible with Christianity
Unveiling the middle ground where faith, philosophy, and beauty all meet in the person of Christ, image of the invisible God.Authentic Christian art strikes a balance between abstraction and realism, rejecting the extremes of Abstract Expressionism—where meaning dissolves into unrecognizable chaos—and Photorealism, which reduces reality to soulless...

Announcing the CMAA 2025 Colloquium and Summer Courses
2025 Sacred Music Colloquium and our Summer Courses are filling up fast!The Church Music Association of American invites all its friend and supporters to come to the University of St. Thomas in Saint Paul, Minnesota for an inspiring week (or two!) of music, liturgy, and professional development.REGISTER TODAY TO SAVE YOUR SEAT!Take advantage of ear...

The Second Sunday of Lent 2025
Remember Thy compassion, o Lord, and Thy mercy, that are from of old; lest ever our enemies be lord over us; deliver us, o God of Israel, from all our distress. Ps. 24. To Thee, o Lord, have I lifted up my soul; o my God, I trust in Thee, let me not be put to shame. Glory be ... As it was... Remember Thy compassion... (A very nice recording of the...

The Myth of a Sunday with No Mass
Those who follow the traditional Divine Office and Mass closely will notice in them an unusual feature this weekend. In the Mass, the same Gospel, St Matthew’s account of the Transfiguration (17, 1-9), is read both today, the Ember Saturday, and tomorrow. In the Divine Office, there are only four antiphons taken from this Gospel, where the other Su...

“Let My Prayer Rise as Incense” - Byzantine Music for Lent
In the Byzantine Rite, the Divine Liturgy is not celebrated on the weekdays of Lent, but only on Saturdays and Sundays; an exception is made for the feast of the Annunciation. Therefore, at the Divine Liturgy on Sundays, extra loaves of bread are consecrated, and reserved for the rest of the week. On Wednesdays and Fridays, a service known as the ...

NLM Quiz #25: Where Does This Vestment Come From, And How Is It Used? The Answer
Can you guess where and how this vestment is used? I have two hints to offer: 1. It belongs to the current liturgical season. 2. It is not being used in an Eastern rite. (Apologies, but no better image of it is available.)The Answer: As I suspected would be the case, this proved to be a stumper. This vestment is a kind of stole which is used in the...

For more articles, see the NLM archives: