Partly as a follow up to last month’s post on the relics of St Charles, here are a few interesting photos related to the relics of St Ambrose, whose feast is today, courtesy of Nicola de’ Grandi.
In 386 A.D., St Ambrose had uncovered the relics of two Milanese martyrs, the brothers Protasius and Gervasius, having been shown the place of their long-forgotten burial in a dream. Nothing is known for certain of these saints, not even the era of their martyrdom, but devotion to them was once very widespread; they are even named in the Roman version of the Litany of the Saints, last among the company of the martyrs. Ambrose brought their relics to a newly built basilica, then called simply “the Basilica of the Martyrs”, and laid them in the place he had originally intended for his own burial; he also attests to the miraculous healings which accompanied the translation, as do his secretary, Paulinus, who would later write his Life, and St Augustine.
Ambrose himself died on April 4th of the year 397, which was Holy Saturday that year; since that date so frequently occurs in Holy Week or Easter Week, his feast is traditionally kept on the day of his episcopal ordination. He was laid to rest next to Ss Protasius and Gervasius, and the basilica is now officially named after him. In the mid-ninth century, the abbot of the attached monastery placed the relics of all three saints in a large porphyry sarcophagus, which was later sunk into the floor and covered over; it was rediscovered in 1864 during a major restoration project, and the three bodies are now seen in the Confession of the church under the altar. The feast day of the two martyrs is on June 19th, and the traditional Ambrosian Calendar also has the feast of the “Raising up of the Bodies of Ss Ambrose, Protasius and Gervasius” on May 14th.
the patronal feast day of the Duomo, and has regularly been used in solemn processions ever since. (Three other photos of it are given below.)
Here we see the relics carried under a baldachin; going before them, many of the mitered heads are those of canons, rather than bishops.
In 1974, for the 16th centenary of the Saint’s episcopal ordination, at the conclusion of a local jubilee held in preparation for the Holy Year of 1975, the relics were once again brought to the Duomo. At the time, significant repair works were being done to the church, and it was impossible to display them in the sanctuary; they were therefore placed on a temporary altar in the nave.
The original preparatory design of the “gonfalone - big banner” (16½ x 11½ feet) of St Ambrose, by Filippo Meda.
The relics of St Ambrose, photographed during a canonical recognition in the late 19th century. |
Ambrose himself died on April 4th of the year 397, which was Holy Saturday that year; since that date so frequently occurs in Holy Week or Easter Week, his feast is traditionally kept on the day of his episcopal ordination. He was laid to rest next to Ss Protasius and Gervasius, and the basilica is now officially named after him. In the mid-ninth century, the abbot of the attached monastery placed the relics of all three saints in a large porphyry sarcophagus, which was later sunk into the floor and covered over; it was rediscovered in 1864 during a major restoration project, and the three bodies are now seen in the Confession of the church under the altar. The feast day of the two martyrs is on June 19th, and the traditional Ambrosian Calendar also has the feast of the “Raising up of the Bodies of Ss Ambrose, Protasius and Gervasius” on May 14th.
the patronal feast day of the Duomo, and has regularly been used in solemn processions ever since. (Three other photos of it are given below.)
Here we see the relics carried under a baldachin; going before them, many of the mitered heads are those of canons, rather than bishops.
In 1974, for the 16th centenary of the Saint’s episcopal ordination, at the conclusion of a local jubilee held in preparation for the Holy Year of 1975, the relics were once again brought to the Duomo. At the time, significant repair works were being done to the church, and it was impossible to display them in the sanctuary; they were therefore placed on a temporary altar in the nave.
The original preparatory design of the “gonfalone - big banner” (16½ x 11½ feet) of St Ambrose, by Filippo Meda.