Saturday, January 02, 2016

In Memoriam - Fr. Franck Quoëx (Reprint from 2010)

Fr Franck Quoëx passed away on January 2, 2007. He is remembered not only for his important work as a scholar, but, I would dare say, even more for the way his dedication to the liturgy, his example as both a celebrant and a Master of Ceremonies, taught so many people, both clergy and laity, to love the traditional rites of the Church. This was almost the first thing I ever published on NLM after officially coming on board as a writer. 

Today is the third (now ninth) anniversary of the death of Fr. Franck Quoëx, a priest of the Diocese of Vaduz in Lichtenstein, and one of the foremost liturgists of our times. I had the great honor to serve alongside Fr. Quoëx at the traditional Masses in Rome for many years, and some of the most beautiful rites I have ever seen were put together and guided by his phenomenal expertise. He had and deserved a reputation throughout Europe as a highly talented Master of Ceremonies; many have remarked that if the Pope should ever decide to do the ancient Papal Mass again, Fr. Quoëx would have been one of the few people who could have arranged it properly. I am always put in mind of him most especially during Holy Week; he had a great love of these most solemn rites of the Church, and the rehearsals he led were filled with interesting asides on the origin and symbolic meaning of the ceremonies. In the year 2000, he was the first master of ceremonies for a Rorate Mass celebrated by His Eminence Alphonse-Maria Cardinal Stickler, at the church of San Pietro in Montorio. Like most of the servers, I had never been involved in Pontifical Mass before, and we were all extremely nervous; Fr. Quoëx steered us through a magnificent ceremony with grace and calm. In 2005, I was master of ceremonies for a Requiem Mass celebrated on behalf of Pope John Paul II at the F.S.S.P.’s former Roman chapel, San Gregorio de’ Muratori; my two very small mistakes were immediately spotted and corrected by Fr. Quoëx. He always behaved with the most perfect courtesy to myself and the other servers, and his criticisms, if I can even call them such, were easy to bear, because they were not born from a lack of charity, or a desire to lord over others. They came, rather, from a profound liturgical piety, and love of the Church’s tradition, even in its smallest details, which permeated his whole life as a priest. His own Masses, whether sung or read, were a lesson to all who saw them in devotion to the sacred liturgy, and he rejoiced to see the growing interest in the Tridentine rite among priests and seminarians in Rome. The Fraternity of Saint Peter’s European seminary, at Wigratzbad in Bavaria, was blessed to have him for some years as a professor. His knowledge of the sacred rites was both practical and theoretical; among his scholarly achievements, his thesis on the virtue of religion in the writings of St. Thomas earned the praise of Cardinal Ratzinger, and he edited and published out of the Sorbonne critical editions of the liturgical codices of the use of Vercelli, in northern Italy.

In May of 2006, Abbé Quoëx was diagnosed with cancer, which took his life less than nine months later. In the final days of his illness, when he had become too weak to celebrate Mass, he would have friends sit at his bedside and read the Mass to him. He passed away at the age of thirty-nine, on January 2, the feast of the Holy Name of Jesus, and is buried in the cemetery of Lausanne, Switzerland, where he had been serving the faithful of the traditional Mass community. The joy of his eternal rest has most surely been increased beyond measure by the promulgation of the motu proprio Summorum Pontificum, and the flourishing of the traditional Mass to which he dedicated his all-too-brief life in this world.
From his essay The Mass, Our Treasure:
The legacy of the Lord, the Mass is the Sun of our lives and our treasure. We love it due to the fact that it is substantially and principally of the Lord's [own] institution. But we love it also as the Church, to which Jesus entrusted its celebration, has transmitted it to us down through the centuries by means of the various liturgical traditions. Because the prayers and rites developed through the centuries in order to explain and manifest before the eyes of the entire Church the unfathomable riches of the essential rite bequeathed by the Lord. ... We cannot in any way forswear a heritage slowly built by the faith of our fathers, their burning devotion, and the theological reflection around the sacrament of the Passion of the Lord. In contact with the Mass of Saint Pius V -- in which we also contemplate the purest masterpiece of Western Civilization, hierarchical as well as sacral -- our souls lift up and our hearts expand, while our minds taste the most authentic Eucharistic doctrine. This is why we wish to understand and love, at all times more, the Traditional Mass, our treasure, and we will not cease to defend and advance it.
Le Baptistere, March 2003; translation courtesy of Rorate Caeli.
Photo courtesy of Orbis Catholicus.

More recent articles:


The Prodigal Son in the Liturgy of Lent
In his commentary on the Gospel of St Matthew, St Jerome writes as follows about the parable of the two sons who are ordered by their father to go and work in the vineyard (21, 28-32). “These are the two sons who are described in Luke’s parable, the frugal (or ‘virtuous’) and the immoderate (or ‘wanton’).” He then connects these two sons with the f...

Another Chant for the Byzantine Liturgy of the Presanctified
Now the powers of heaven invisibly worship with us, for behold, the King of Glory entereth! Behold, the mystical sacrifice, being perfected, is carried forth in triumph. With faith and love, let us come forth, that we may become partakers of eternal life, Alleluia, Alleluia, Alleluia! (Recording by the Lviv Archeparchial Clergy Choir.) Нині сили ...

The Crypt of Montecassino Abbey
For the feast of St Benedict, here are some pictures of the crypt of the abbey of Montecassino, the site where he ended his days. The crypt was built in the early 16th century, and originally decorated with frescoes, but by the end of the 19th century, these had deteriorated so badly from the humidity that they were deemed unsalvageable. The decisi...

An Interview with Fr Uwe Michael Lang on Liturgy
I am sure that our readers will enjoy this interview with the liturgical scholar Fr Uwe Michael Lang of the London Oratory, which was recently published on the YouTube channel of the Totus Tuus Apostolate. It covers a wide range of subjects: Pope Benedict’s teaching on the liturgy, the liturgical abuses in the post-Conciliar period and our own time...

Dives and Lazarus in the Liturgy of Lent
Before the early eighth century, the church of Rome kept the Thursdays of Lent (with the obvious exception of Holy Thursday) and the Saturdays after Ash Wednesday and Passion Sunday as “aliturgical” days. (The term aliturgical refers, of course, only to the Eucharistic liturgy, not to the Divine Office.) This is attested in the oldest liturgical bo...

The Feast of St Joseph 2025
Truly it is worthy and just... eternal God: Who didst exalt Thy most blessed Confessor Joseph with such great merits of his virtues, that by the wondrous gift of Thy grace, he merited to be made the Spouse of the most holy Virgin Mary, and be thought the father of Thy only-begotten Son, Jesus Christ, our Lord. Wherefore, venerating the day of his b...

Why Should We Build Beautiful Confessionals?
Confession is a sacrament in which we confess dark deeds, shameful sins, cowardly compromises, repeated rifts. It is something we often wish more to be done with than to do; we know we must go, that it is “good for us” as a visit to the dentist’s or the doctor’s is good for us. It might seem as if the place where we fess up, red-handed, and receive...

Both the Chaos of Jackson Pollock and the Sterility of Photorealism are Incompatible with Christianity
Unveiling the middle ground where faith, philosophy, and beauty all meet in the person of Christ, image of the invisible God.Authentic Christian art strikes a balance between abstraction and realism, rejecting the extremes of Abstract Expressionism—where meaning dissolves into unrecognizable chaos—and Photorealism, which reduces reality to soulless...

Announcing the CMAA 2025 Colloquium and Summer Courses
2025 Sacred Music Colloquium and our Summer Courses are filling up fast!The Church Music Association of American invites all its friend and supporters to come to the University of St. Thomas in Saint Paul, Minnesota for an inspiring week (or two!) of music, liturgy, and professional development.REGISTER TODAY TO SAVE YOUR SEAT!Take advantage of ear...

The Second Sunday of Lent 2025
Remember Thy compassion, o Lord, and Thy mercy, that are from of old; lest ever our enemies be lord over us; deliver us, o God of Israel, from all our distress. Ps. 24. To Thee, o Lord, have I lifted up my soul; o my God, I trust in Thee, let me not be put to shame. Glory be ... As it was... Remember Thy compassion... (A very nice recording of the...

For more articles, see the NLM archives: