Tuesday, February 17, 2015

Votive Mass of St Teilo Celebrated in the Extraordinary Form in the Historic Church of St Teilo in Wales

Here are some photos, courtesy of a regular NLM reader, Mr David Woolf, of a Votive Mass of St Teilo that was celebrated on February 7th in the Extraordinary Form in the Church of St Teilo, located at St Fagan’s National History Museum, Cardiff, Wales, UK.

David told me: ‘The Mass was hosted by the students of the Cardiff University Catholic Chaplaincy and was celebrated by their Chaplain, Fr Gareth Jones.

‘The Church of St Teilo is of particular historical interest. Having become redundant in 1970, it was moved, brick by brick, from its 12th century site at Llandeilo Taly-Bont, near Pontarddulais, and reconstructed at the St Fagan’s Museum. Prior to its removal, wall paintings, dating from the 15th century, were uncovered beneath the wall plaster. These were removed and preserved in the National Museum of Wales. When St Teilo’s Church was reconstructed it was decorated as it would have appeared in the 1530s.’

St Teilo’s feast day was two days later on February 9th. St Teilo is is a 6th century British saint, who studied under St Paulinus at Llanddeusant, in the Brecon Beacons and, as a monk, with St David at Mynyw in west Wales. He founded his own monastery at Llandeilo Fawr, again in the Brecon Beacons, the place where he probably died. A later tradition has St Teilo, accompanied by St David and St Padarn, make a pilgrimage to Jerusalem. He spent some years in Brittany. At Llandaff he is venerated as the founder of the see (which contains the capital of Wales, Cardiff).

Information on St Teilo from www.universalis.com
Photos: Dr David A Woolf












Don't forget the Way of Beauty online course www.Pontifex.University (go to the Catalog) for college credit, for continuing ed. units, or for audit. A formation through an encounter with a cultural heritage - for artists, architects, priests and seminarians, contributing to the ‘new epiphany of beauty’.

More recent articles:


The Tomb of St Peter Martyr in Milan’s Portinari Chapel
Here are some great photos from our Ambrosian correspondent Nicola de’ Grandi of the Portinari Chapel at the Basilica of St Eustorgio in Milan. They were taken during a special night-time opening made possible by a new lighting system; as one might well imagine, the Italians are extraordinarily good at this sort of thing, and more and more museum...

Recommended Art History and Artistic Practice Text Books for Homeschoolers... and Everyone Else Too!
I want to recommend the Catholic Heritage Currricula texts books to all who are looking for materials for courses in art history, art theory and artistic practice at the middle-school or high-school level. These books present a curriculum that combines art history, art theory, and a theory of culture in a Catholic way. Furthermore, they provide the...

Launching “Theological Classics”: Newman on the Virgin Mary, St Vincent on Novelty & Heresy, Guardini on Sacred Signs
At a time of turmoil, nothing could be better or more important than rooting ourselves more deeply in the Catholic tradition. One of my favorite quotations is by St. Prosper of Aquitaine (390-455), writing in his own age of chaos: “Even if the wounds of this shattered world enmesh you, and the sea in turmoil bears you along in but one surviving shi...

Low Sunday 2025
With his inquisitive right hand, Thomas searched out Thy life-bestowing side, O Christ God; for when Thou didst enter while the doors were shut, he cried out to Thee with the rest of the Apostles: Thou art my Lord and my God. (The Kontakion of St Thomas Sunday at Matins in the Byzantine Rite.)Who preserved the disciple’s hand unburnt when he drew n...

The Easter Sequence Laudes Salvatori
The traditional sequence for Easter, Victimae Paschali laudes, is rightly regarded as one of the greatest gems of medieval liturgical poetry, such that it was even accepted by the Missal of the Roman Curia, which had only four sequences, a tradition which passed into the Missal of St Pius V. But of course, sequences as a liturgical genre were extre...

The Paschal Stichera of the Byzantine Rite in English
One of the most magnificent features of the Byzantine Rite is a group of hymns known as the Paschal stichera. These are sung at Orthros and Vespers each day of Bright Week, as the Easter octave is called, and thenceforth on the Sundays of the Easter season, and on the Leave-taking of Easter, the day before the Ascension. As with all things Byzantin...

Medieval Vespers of Easter
In the Breviary of St Pius V, Vespers of Easter Sunday and the days within the octave present only one peculiarity, namely, that the Chapter and Hymn are replaced by the words of Psalm 117, “Haec dies quam fecit Dominus; exsultemus et laetemur in ea. – This is the day that the Lord has made; let us be glad and rejoice therein.” In the Office, this...

Summer Graduate-Level Sacred Music Study - Tuition-free
The May 1st application deadline is approaching for summer graduate courses in sacred music at the Catholic Institute of Sacred Music. Graduate-level study structured for busy schedulesIn-person, intensive course formatsAffordable room & boardFree tuitionLearn more and apply here.Courses:Choral InstituteComposition SeminarOrgan ImprovisationIn...

The Last Service of Easter
Following up on Monday’s post about the service known as the Paschal Hour in Byzantine Rite, here is the text of another special rite, which is done after Vespers on Easter day itself. It is brief enough to show the whole of it with just one photograph from the Pentecostarion, the service book which contains all the proper texts of the Easter seaso...

Should Communion Sometimes Be Eliminated to Avoid Sacrilege?
In a post at his Substack entitled “Nobody is talking about this in the Catholic world,” Patrick Giroux has the courage and good sense to raise the issue of the indiscriminate reception of the Lord at weddings and funerals where many attendees are not Catholics, or, if Catholics, not practicing, not in accord with Church teaching, or not in a state...

For more articles, see the NLM archives: