The website of the journal First Things has a truly fascinating article by Carl. R. Trueman, Professor of Church History at Westminster Theological Seminary, entitled “Tragic Worship.” His thesis is that Christian worship has lost the sense of death as the ultimate human reality, a “tragedy” in the classical sense of the term, and this loss reduces worship to a form of entertainment which becomes both banal and irrelevant.
The full article can be read at First Things, and is very much worth your time.
The problem with much Christian worship in the contemporary world, Catholic and Protestant alike, is not that it is too entertaining but that it is not entertaining enough. … It neglects tragedy ... a form of art and of entertainment (which) highlighted death, and death is central to true Christian worship. The most basic liturgical elements of the faith, baptism and the Lord’s Supper, speak of death, of burial, of a covenant made in blood, of a body broken. Even the cry “Jesus is Lord!” assumes an understanding of lordship very different than Caesar’s. Christ’s lordship is established by his sacrifice upon the cross, Caesar’s by power.
Christian worship should immerse people in the reality of the tragedy of the human fall and of all subsequent human life. It should provide us with a language that allows us to praise the God of resurrection while lamenting the suffering and agony that is our lot in a world alienated from its creator, and it should thereby sharpen our longing for the only answer to the one great challenge we must all face sooner or later. Only those who accept that they are going to die can begin to look with any hope to the resurrection.
(Referring to Pascal's critique of 17th century France as a society obsessed with entertainment:) It would not puzzle him that death has been reduced to little more than a comic-book cartoon in countless action movies or into a mere momentary setback in soap operas and sitcoms. Indeed, he would not find it perplexing that the bleak spiritual violence of mortality leaves no lasting mark on the bereaved in the surreal yet seductive world of popular entertainment. But he might well be taken aback that the churches have so enthusiastically endorsed this project of distraction and diversion. This is what much of modern worship amounts to: distraction and diversion. Praise bands and songs of triumph seem designed in form and content to distract worshipers from life’s more difficult realities.
Even funerals, the one religious context where one might have assumed the reality of death would be unavoidable, have become the context for that most ghastly and incoherent of acts: the celebration of a life now ended. It is therefore an irony of the most perverse kind that churches have become places where Pascalian distraction and a notion of entertainment that eschews the tragic seem to dominate just as comprehensively as they do in the wider world. I am sure that the separation of church buildings from graveyards was not the intentional start of this process, but it certainly helped to lessen the presence of death. The present generation does not have the inconvenience of passing by the graves of loved ones as it gathers for worship. Nowadays, death has all but vanished from the inside of churches as well.
The full article can be read at First Things, and is very much worth your time.
