In his article he comments: "There was a time in the middle of the 20th Century when Catholic writers, many of them converts to the Church, were icons of the Anglo-American literary scene. In the U.K. writers like Waugh, Graham Greene, Muriel Spark, and J. R. R. Tolkien were preeminent, while Americans Flannery O’Connor, Walker Percy, J.F. Powers (his novel Morte D’Urban won the National Book Award in 1963), and Thomas Merton were celebrated on this side of the Atlantic."
He continues:
The obvious reason for this literary vacuum is that the Christian faith, and the Catholic Church in particular, have been in full-cultural retreat since the 1960s. In the wake of the sexual revolution and the women’s movement, many Catholics left the Church over its opposition to abortion, artificial contraception, and the ordination of women, to name just a few hot-button topics. And then, beginning in the late 1990s, a wave of priest sex-abuse crimes came to light that have scandalized untold numbers of Catholics.
Yet there was another revolution in the 1960s — an internal Catholic one — that was in many ways as profound as the one taking place in the streets of Paris, New York, and London. It was a liturgical revolution, and it impacted each and every Catholic at that most fundamental unit of faith — Sunday morning Mass.
[...]
In the 1960s, when Evelyn Waugh learned of plans to alter the Latin Mass, he wrote a series of worried letters to then English Archbishop John Cardinal Heenan. In the wake of the Second Vatican Council (1962-1965), Waugh’s worst fears were realized as English replaced Latin, priests suddenly faced the people (as if to entertain them), and the reverential tradition of kneeling at the altar rail to receive communion on one’s tongue was replaced with the breezy practice of taking the host standing and in the hand. In short, what for centuries had seemed eternal, mysterious, and rich in symbolism — the very marrow that feeds artists — was suddenly being conducted in the same language as sitcoms, TV commercials, and business meetings.
The German Catholic novelist Martin Mosebach in his 2003 book of essays, The Heresy of Formlessness, argues that the reform of the Latin Mass in the ‘60s left many believers, like Waugh, with a profound spiritual deficit. “All have lost something priceless,” he writes, “namely, the innocence that accepts (the Mass) as something God-given, something that comes down to man as a gift from heaven.”
Mosebach believes that even James Joyce, who was no fan of the Catholic Church, owed his “rank linguistic extravagance” to the rituals and language of the Latin Mass. In the opening passages of Ulysses there is even a reference to the psalm “Judica,” which is prayed at the start of the old Mass. “Ulysses could never have been written without the old liturgy; here we sense the liturgy’s immense cultural and creative power,” Mosebach writes. “Even its opponents could not avoid being in its shadow; they actually depended for nourishment on its aesthetic substance.”
Read the rest of the article here: http://www.themillions.com/2011/11/where-have-all-the-catholic-writers-gone.html
