Friday, May 06, 2011

Church's Liturgy Goes Beyond Conciliar Reform

The Holy Father, this morning, delivered an address to the Pontifical Liturgical Institute Sant'Anselmo on the occasion of the 50th anniversary of its foundation. The address may be found in Italian here.

Here is VIS's summation:

VATICAN CITY, 6 MAY 2011 (VIS) - Today the Holy Father received participants in the Ninth International Congress on the Liturgy sponsored by the Pontifical Liturgical Institute of Rome's St. Anselm Pontifical Athenaeum, on the fiftieth anniversary of its foundation.

The Pope recalled that "Blessed John XXIII, recognizing the requests of the liturgical movement that sought to give new impetus and a new spirit to the Church's prayer, shortly before Vatican Council II and during its celebration, asked the faculty of Benedictines on the Aventine Hill to establish a center for study and research to ensure a solid basis for conciliar liturgical reform".

Referring to the title chosen for the congress: "The Pontifical Liturgical Institute: Between Memory and Prophecy", the Pope said that the "'memory' pertains to the very life of the Institute that has offered its contribution to the Church dedicated to the reception of the Second Vatican Council over fifty years of academic liturgical formation".

Benedict XVI highlighted that, "with the term 'prophecy', our gaze opens to new horizons. The Liturgy of the Church goes beyond the 'conciliar reform', the objective of which in fact was not mainly to change the rites and texts but rather to renew the mentality and to put the celebration of Christ's paschal mystery at the center of Christian life and pastoral work. Unfortunately the liturgy has perhaps been seen - even by us, pastors and experts - more as an object to reform than a subject capable of renewing Christian life, seeing that "a very close and organic bond exists between the renewal of the liturgy and the renewal of the whole life of the Church".

"The liturgy, ... lives a proper and constant relationship between sound 'traditio' and legitimate 'progressio', clearly seen by the conciliar constitution Sancrosanctum Concilium at paragraph 23. ... Not infrequently are tradition and progress in awkward opposition. Actually though, the two concepts are interwoven: tradition is a living reality that, in itself, includes the principle of development, of progress".

The Holy Father concluded, expressing the wish that the "Faculty of Sacred Liturgy continue its service to the Church with renewed enthusiasm, in full fidelity to the rich and valuable liturgical tradition and to the reform desired by Vatican Council II, in accordance with the magisterial directives of the Sancrosanctum Concilium and the pronouncements of the Magisterium".

More recent articles:


The Feast of St Vincent Ferrer
The feast of St Vincent Ferrer was traditionally assigned to the day of his death, April 5th, but I say “assigned to” instead of “kept on” advisedly; that date falls within either Holy Week or Easter week so often that its was either translated or omitted more than it was celebrated on its proper day. [1] For this reason, in 2001 the Dominicans mov...

Good Shepherd Sunday 2025
Dearest brethren, Christ suffered for us, leaving you an example that you should follow His steps; Who did no sin, neither was guile found in His mouth; Who, when He was reviled, did not revile. When He suffered, he threatened not, but delivered Himself to him that judged Him unjustly; Who His own self bore our sins in His body upon the tree: that...

The Gospel of Nicodemus in the Liturgy of Eastertide
By “the Gospel of Nicodemus”, I mean not the apocryphal gospel of that title, but the passage of St John’s Gospel in which Christ speaks to Nicodemus, chapter 3, verses 1-21. This passage has an interesting and complex history among the readings of the Easter season. For liturgical use, the Roman Rite divides it into two parts, the second of which...

“The Angel Cried Out” - The Byzantine Easter Hymn to the Virgin Mary
In the Byzantine Divine Liturgy, there are several places where the priest sings a part of the anaphora out loud, and the choir makes a response, while he continues the anaphora silently. In the liturgy of St John Chrysostom, which is by far the more commonly used of the two anaphoras, the priest commemorates the Saints after the consecration and ...

The Lavabo
Lost in Translation #124 After the incensation, the priest goes to the Epistle side and washes his hands, reciting Psalm 25, 6-12: Lavábo inter innocentes manus meas: et circúmdabo altáre tuum, Dómine.Ut audiam vocem laudis: et enarrem universa mirabilia tua.Dómine, dilexi decórem domus tuae: et locum habitatiónis gloriae tuae.Ne perdas cum impii...

Spinello Aretino’s Altar of Ss Philip and James
At the very end of the 14th century, the painter Spinello di Luca Spinelli (1350 ca. - 1410 ca.), usually known as Spinello Aretino (from Arezzo) was commissioned to make a frescoed altarpiece for the Dominican church of his native city. The altar itself no longer exists; it was dedicated to the Apostles Philip and James, whose feast is traditional...

A Medieval Hymn for Eastertide
Many medieval breviaries, including those of the Sarum Use, the Cistercians, Carmelites and Premonstratensians, have a hymn for the Easter season which is not found in the Roman Breviary, Chorus novae Jerusalem by St Fulbert, bishop of Chartres, who died in 1029. The original version of the Latin text, and the English translation of John Maso...

Two Upcoming Events from the Durandus Institute
Our friend James Griffin of The Durandus Institute for Sacred Liturgy and Music wishes all our readers a joyous Easter season, by presenting two opportunities, at least for those in southeast Pennsylvania, to celebrate.First, this coming Sunday at 5pm, there will be a solemn Vespers in the traditional Latin rite for the Second Sunday after Easter a...

Letter to a Maximalist Music Director in a Minimalist World
Auguste Danse, Study of Three Singers (detail)The following is based on a real letter.Dear Friend,I’m sorry to hear that you’re experiencing some “ups and downs” with regard to the liturgy there, though it’s hardly surprising in a way. Your diocese is not well known for liturgical propriety or taste, and, beyond that, priests mostly have control ov...

The Tomb of St Peter Martyr in Milan’s Portinari Chapel
Here are some great photos from our Ambrosian correspondent Nicola de’ Grandi of the Portinari Chapel at the Basilica of St Eustorgio in Milan. They were taken during a special night-time opening made possible by a new lighting system; as one might well imagine, the Italians are extraordinarily good at this sort of thing, and more and more museum...

For more articles, see the NLM archives: