All information on the CMAA Summer Chant Intensive is now posted at Musica Sacra
The dates are June 14-18, 2010. We'll be in a new location (Duquesne University, Pittsburgh) and have brand new, flexible and more affordable housing and meal plans.
Last but not least is this great news:
The Mary Pappert School of Music at Duquesne University will be offering the option of two hours of graduate credit in Sacred Music for those interested. Should you opt for the credit portion, your faculty advisor at Duquesne will be internationally known organist and scholar, Dr. Ann Labounsky
As always, registration is limited to fifty participants.
Saturday, January 23, 2010
From one intense experience to another
AnonymousMore recent articles:
Spinello Aretino’s Altar of Ss Philip and JamesGregory DiPippo
At the very end of the 14th century, the painter Spinello di Luca Spinelli (1350 ca. - 1410 ca.), usually known as Spinello Aretino (from Arezzo) was commissioned to make a frescoed altarpiece for the Dominican church of his native city. The altar itself no longer exists; it was dedicated to the Apostles Philip and James, whose feast is traditional...
A Medieval Hymn for EastertideGregory DiPippo
Many medieval breviaries, including those of the Sarum Use, the Cistercians, Carmelites and Premonstratensians, have a hymn for the Easter season which is not found in the Roman Breviary, Chorus novae Jerusalem by St Fulbert, bishop of Chartres, who died in 1029. The original version of the Latin text, and the English translation of John Maso...
Two Upcoming Events from the Durandus InstituteGregory DiPippo
Our friend James Griffin of The Durandus Institute for Sacred Liturgy and Music wishes all our readers a joyous Easter season, by presenting two opportunities, at least for those in southeast Pennsylvania, to celebrate.First, this coming Sunday at 5pm, there will be a solemn Vespers in the traditional Latin rite for the Second Sunday after Easter a...
Letter to a Maximalist Music Director in a Minimalist WorldPeter Kwasniewski
Auguste Danse, Study of Three Singers (detail)The following is based on a real letter.Dear Friend,I’m sorry to hear that you’re experiencing some “ups and downs” with regard to the liturgy there, though it’s hardly surprising in a way. Your diocese is not well known for liturgical propriety or taste, and, beyond that, priests mostly have control ov...
The Tomb of St Peter Martyr in Milan’s Portinari ChapelGregory DiPippo
Here are some great photos from our Ambrosian correspondent Nicola de’ Grandi of the Portinari Chapel at the Basilica of St Eustorgio in Milan. They were taken during a special night-time opening made possible by a new lighting system; as one might well imagine, the Italians are extraordinarily good at this sort of thing, and more and more museum...
Recommended Art History and Artistic Practice Text Books for Homeschoolers... and Everyone Else Too!David Clayton
I want to recommend the Catholic Heritage Currricula texts books to all who are looking for materials for courses in art history, art theory and artistic practice at the middle-school or high-school level. These books present a curriculum that combines art history, art theory, and a theory of culture in a Catholic way. Furthermore, they provide the...
Launching “Theological Classics”: Newman on the Virgin Mary, St Vincent on Novelty & Heresy, Guardini on Sacred SignsPeter Kwasniewski
At a time of turmoil, nothing could be better or more important than rooting ourselves more deeply in the Catholic tradition. One of my favorite quotations is by St. Prosper of Aquitaine (390-455), writing in his own age of chaos: “Even if the wounds of this shattered world enmesh you, and the sea in turmoil bears you along in but one surviving shi...
Low Sunday 2025Gregory DiPippo
With his inquisitive right hand, Thomas searched out Thy life-bestowing side, O Christ God; for when Thou didst enter while the doors were shut, he cried out to Thee with the rest of the Apostles: Thou art my Lord and my God. (The Kontakion of St Thomas Sunday at Matins in the Byzantine Rite.)Who preserved the disciple’s hand unburnt when he drew n...
The Easter Sequence Laudes SalvatoriGregory DiPippo
The traditional sequence for Easter, Victimae Paschali laudes, is rightly regarded as one of the greatest gems of medieval liturgical poetry, such that it was even accepted by the Missal of the Roman Curia, which had only four sequences, a tradition which passed into the Missal of St Pius V. But of course, sequences as a liturgical genre were extre...
The Paschal Stichera of the Byzantine Rite in EnglishGregory DiPippo
One of the most magnificent features of the Byzantine Rite is a group of hymns known as the Paschal stichera. These are sung at Orthros and Vespers each day of Bright Week, as the Easter octave is called, and thenceforth on the Sundays of the Easter season, and on the Leave-taking of Easter, the day before the Ascension. As with all things Byzantin...