It occurs to me that I never posted the playlist for the Sacred Music Colloquium 2008 (Loyola University, June 15-21, 2008). This doesn't include the organ recessionals and processionals for the EF. Otherwise it seems pretty comprehensive. All the music is public domain. It looks amazing/scary at first but remember that there were 250 people there and the labor was divided between 5 polyphonic choirs and 5 chant choirs. Of course, even then, it was quite the accomplishment for one week:
Tues, 10:30am English Mass
Introit: Hearken, O Lord, unto my voice
Kyrie (Ambrosian/English/Oost-Zinner)
Psalm: We are his people
Alleluia (Plainchant)
Offertory: I will bless the Lord
Offertory Motet: If Ye Love Me, by Tallis
Sanctus (Ambrosian/English)
Mystery of Faith: Dying You Destroyed Our Death
Our Father (Mahrt)
Agnus (Ambrosian/English)
Communion: One thing I seek
Communion Motet: O Salutaris, by Pierre de la Rue
Recessional: Hymn: When Morning Gilds the Skies (Laudes Domini)
Wed, 10:30am Requiem Mass
Introit: Requiem aeternam
Kyrie: XVIII
Gradual: Requiem aeternam
Sequence: Dies Irae
Offertory: Domine Jesu Christe
Offertory Motet: Circumdedereunt me by H. Franco
Sanctus: XVIII
Agnus: XVIII
Communion: Lux aeterna
Communion Motet : Ave Verum, by Byrd
In Paradisum
Chorus angelorum
Thurs, 10:30am EF, Missa Cantata, Feast of St. Juliana Falconieri
Introit: Dilexisit justitiam
Kyrie: XI
Gloria: XI
Graduale: Specie tua
Offertory: Filiae regum
Offertory Motet: Tu Solus, by Josquin
Sanctus: XI
Agnus: XI
Communion: Quinque prudentes
Communion Motet: Ave Maria by Guerrero
Recessional: Urbs Beata Jerusalem by DiLasso
Thurs, 5:00pm Holy Hour
O Salutaris hostia, by Byrd
The Litany of Loreto
Tantum ergo, by Palestrina
Fri, 10:30am OF, Votive Mass for the Holy Father
Introit: Spiritus Domini
Kyrie: Missa Simile est regnum coelorum by Victoria
Gradual: Beata gens
Alleluia
Offertory: Confirma hoc Deus
Offertory Motet: Tu es Petrus by Palestrina
Sanctus: Missa Simile est regnum coelorum by Victoria
Agnus: Missa Simile est regnum coelorum by Victoria
Communion: Factus est repente
Communion motet: O Sacrum Convivium by Victoria
Fri, 7:30pm Vespers
Deus in adjutorium by Anon. Spanish
O Magnum pietatia opus!
Psalm 109 in falobordone by Lorente de Ancheulo
Salva nos, Psalm 110
Ecce Crucem Domini, Psalm 111
Beatus Vir, by Ceballos
Nos autem gloriari, Psalm 112
Per signum Crucis, Pslam 116
Psalm 115, by Cabezon
O Crux gloriosa!
Vexilla Regis prodeunt
O Crux, splendidior cunctis astris
Magnificat primi toni, TLD Victoria
O Crux
Salve Regina, Solemn tone
Sat, 10:15am EF, Solemn Mass votive BVM
Introit: Salve sancta Parens
Kyrie: Missa Vulnerasti Cor Meum by Morales
Gradual: Benedicta et venerabilis
Offertory: Ave Maria
Offertory Motet: Ave Maria by Gombert
Sanctus: Missa Vulnerasti Cor Meum
Agnus: Missa Vulnerasti Cor Meum
Communion Beata Viscera
Communion Motet: Beata Viscera, Isaac
Organ Recessional
Sun, 8:00am OF Missa Cantata, 12th Sunday of the year
Introit: Dominus fortitudo
Kyrie: Monteverdi Mass in F
Gloria: Monteverdi Mass in F
Gradual: Convertere Domine
Alleluia
Credo I
Offertory: Perfice gressus
Offertory Motet: Perfice gressus meos - Orlandus Lassus
Sanctus: Monteverdi Mass in F
Agnus: Monteverdi Mass in F
Communion: Quod dico vobis
Communion Motet: O sacrum convivium by Morales
Recessional Motet: Ave Maria by Anton Bruckner
Sunday, June 29, 2008
Colloquium 2008 Playlist
UnknownMore recent articles:
The Tomb of St Peter Martyr in Milan’s Portinari ChapelGregory DiPippo
Here are some great photos from our Ambrosian correspondent Nicola de’ Grandi of the Portinari Chapel at the Basilica of St Eustorgio in Milan. They were taken during a special night-time opening made possible by a new lighting system; as one might well imagine, the Italians are extraordinarily good at this sort of thing, and more and more museum...
Recommended Art History and Artistic Practice Text Books for Homeschoolers... and Everyone Else Too!David Clayton
I want to recommend the Catholic Heritage Currricula texts books to all who are looking for materials for courses in art history, art theory and artistic practice at the middle-school or high-school level. These books present a curriculum that combines art history, art theory, and a theory of culture in a Catholic way. Furthermore, they provide the...
Launching “Theological Classics”: Newman on the Virgin Mary, St Vincent on Novelty & Heresy, Guardini on Sacred SignsPeter Kwasniewski
At a time of turmoil, nothing could be better or more important than rooting ourselves more deeply in the Catholic tradition. One of my favorite quotations is by St. Prosper of Aquitaine (390-455), writing in his own age of chaos: “Even if the wounds of this shattered world enmesh you, and the sea in turmoil bears you along in but one surviving shi...
Low Sunday 2025Gregory DiPippo
With his inquisitive right hand, Thomas searched out Thy life-bestowing side, O Christ God; for when Thou didst enter while the doors were shut, he cried out to Thee with the rest of the Apostles: Thou art my Lord and my God. (The Kontakion of St Thomas Sunday at Matins in the Byzantine Rite.)Who preserved the disciple’s hand unburnt when he drew n...
The Easter Sequence Laudes SalvatoriGregory DiPippo
The traditional sequence for Easter, Victimae Paschali laudes, is rightly regarded as one of the greatest gems of medieval liturgical poetry, such that it was even accepted by the Missal of the Roman Curia, which had only four sequences, a tradition which passed into the Missal of St Pius V. But of course, sequences as a liturgical genre were extre...
The Paschal Stichera of the Byzantine Rite in EnglishGregory DiPippo
One of the most magnificent features of the Byzantine Rite is a group of hymns known as the Paschal stichera. These are sung at Orthros and Vespers each day of Bright Week, as the Easter octave is called, and thenceforth on the Sundays of the Easter season, and on the Leave-taking of Easter, the day before the Ascension. As with all things Byzantin...
Medieval Vespers of EasterGregory DiPippo
In the Breviary of St Pius V, Vespers of Easter Sunday and the days within the octave present only one peculiarity, namely, that the Chapter and Hymn are replaced by the words of Psalm 117, “Haec dies quam fecit Dominus; exsultemus et laetemur in ea. – This is the day that the Lord has made; let us be glad and rejoice therein.” In the Office, this...
Summer Graduate-Level Sacred Music Study - Tuition-freeJennifer Donelson-Nowicka
The May 1st application deadline is approaching for summer graduate courses in sacred music at the Catholic Institute of Sacred Music. Graduate-level study structured for busy schedulesIn-person, intensive course formatsAffordable room & boardFree tuitionLearn more and apply here.Courses:Choral InstituteComposition SeminarOrgan ImprovisationIn...
The Last Service of EasterGregory DiPippo
Following up on Monday’s post about the service known as the Paschal Hour in Byzantine Rite, here is the text of another special rite, which is done after Vespers on Easter day itself. It is brief enough to show the whole of it with just one photograph from the Pentecostarion, the service book which contains all the proper texts of the Easter seaso...
Should Communion Sometimes Be Eliminated to Avoid Sacrilege?Peter Kwasniewski
In a post at his Substack entitled “Nobody is talking about this in the Catholic world,” Patrick Giroux has the courage and good sense to raise the issue of the indiscriminate reception of the Lord at weddings and funerals where many attendees are not Catholics, or, if Catholics, not practicing, not in accord with Church teaching, or not in a state...