As explained in my earlier posting on the rituals for the Sacraments in the Dominican Rite, our Rite is a monastic rite and presupposes the context of a religious house (which is commonly referred to by Dominicans as a "convent" even when it is a house of men) for the celebration of the sacraments. In the case of Confession and Mass, there is nothing particularly "monastic" about the rituals that make them more difficult to perform in a parochial or extra-conventual context than their parallels in the Roman Rite. This is not the case for the Dominican rituals for Viaticum and for Extreme Unction, what is called in the new Roman rite the "Anointing of the Sick." These rituals in our Rite properly require the presence of a choir of the friars and a sizable group of ministers. As the rite includes processions and music, it is not surprising that it is found in the Processionarium, which collects music for processions and other rites that are not part of Mass or Office.
In their complexity these rituals reflect those of the Italian/Roman family of liturgical books that I examined in chapter 10 of my Cities of God: the Religion of the Italian Communes, 1125-1325 (University Park PA: Penn State Univ. Press, 2005). Italian/Roman books of that period envision the presence of a choir and sometimes as many as seven priests. In contrast, however, the Ambrosian books of the period envision no music and could be used by a single priest. This rite also had only two anointings, not seven, just like the modern Roman rite for anointing the sick. The evidence from saints' lives, chronicles, synodalia, and other sources suggests that in the high middle ages, most lay people did not receive Extreme Unction. The rites of dying focused on Confession and Viaticum. Anointing seems to have been in great part a ritual for religious and for clerics living in community. The development of the Tridentine form of the Roman ritual in the later middle ages, which dropped the music and complex ceremonies so that a single priest could perform it, finally made it available to the laity on a wide basis. The rites I will now explain were pretty much exclusively used with in the monastery. Dominican priests engaged in pastoral work with the laity in the modern period used the Roman Ritual, with its simplified rite, when attending the dying at home or in the hospital.
The term "Last Rites" refers to a complex of three separate rituals, Confession, Communion as Viaticum, and Anointing (or in the modern order: Confession, Anointing, and Viaticum). The old and new Roman rituals include a form for administering all three ceremonies in a single ceremony. This continuous rite was, and is, commonly used. The Dominican "Last Rites," as they are preserved in our Processionale, appear as separate ceremonies. It is not assumed that they will take place in a single event. I have already discussed the Dominican form of Penance, the first rite of the "Last Rites." A sick friar or nun would have confessed, as did the laity, in a private ceremony using the forms I have previously described. When it appeared that the illness was terminal, but while the sick were still well enough to receive Communion, the next rite was final Communion (Viaticum).
When Viaticum was to be administered, the bell for Office was wrung in a special way to indicate that the brothers should assemble in the sacristy for the procession. The friars then went in procession to the tabernacle in this order: two acolytes in surplice carrying lighted processional candles, two friars without surplice holding a lantern and a bell, a friar with the holy water, a friar with cruets and lavabo bowel, friars of the community, friars with candles to escort the sacrament, umbrella or canopy bearer(s), the prior (or, if absent, a senior priest) wearing surplice with stole and humeral veil. All knelt. The prior removed the ciborium or pyx and covered it with his humeral veil. The umbrella or canopy was arranged over him and the candle-bearers around him. The procession then went to the sick room, singing the Gradual Psalms in tono directo.
On arrival at the sick room, the prior said Pax huic domui, and, after the response, intoned the Asperges, which was sung by the friars as he sprinkled the room. This ended, the verses and collect of this rite were sung. The prior then urged the sick friar to be reconciled to any present whom he had offended and to forgive any who had offended him. This done, the sick friar then recited the Confiteor in the Dominican form, with the prior pronouncing the Misereator and Absolutionem. The formula Ecce Angus Dei and Domine non sum dignus was not used as it was not a Dominican practice, although it was added to our Communion Rite at Mass in 1958, one of a number of Romanizations during the 1950s. It was not added to the Viaticum rite.
The prior then presented the Host to the sick friar and asked him: Credis quod hic sit Christus Salvátor Mundi? He responded: Credo. The prior then gave him Communion using the Dominican Viaticum formula: Corpus Dómini nostri Iesu Christi custódiat te, et perdúcat ad vitam ætérnam. The friar with the cruets washed the prior's fingers and the ablution was given to the sick friar to consume. The prior sang the collect Exaudi nos. The community then returned in procession to the sacristy, with umbrella or canopy folded, escort candles extinguished and no bell-ringing (unless there were additional Hosts to return to the tabernacle first).
The same ceremony was used in houses of nuns, with the priest chaplain as the celebrant. In contrast, ordinary Communion of the Sick, even in the monastery, used a much simpler form of the rite. A single priest came with the host preceded by a one acolyte, reciting (not singing) alternately the psalm Miserere. The question Credis was omitted and the normal Communion formula of our Rite (which omits the phrase et perducat from the Viaticum formula) was used.
Later, when the sickness became critical, it was time for Extreme Unction. I will describe that ceremony in a future post.
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