Well, actually for purposes of today's Mass, we were called Cantabo Deo, but "Wynnewood Garage Schola" sounded like a cool headline. Well, maybe not.
Catholics United for the Faith assembled today at St. Charles Borromeo Seminary here in Philadelphia, and their day-long conference--which focused on holiness--ended with the celebration of the Mass in St. Martin's Chapel. A glorious Baroque building with heavenly acoustics, the seminary chapel is no "garage." Michael Miller, of whom many of you may know, formed a choral group for this Mass--a one time thing, really. (That's another way to form a garage schola; it needn't be a permanent entity.)
Here is our Ordo musicae for this Mass, which was celebrated by His Excellency, the Most Rev. Joseph McFadden, auxiliary bishop of the Archdiocese of Philadelphia.
Prelude Music:
Cantate Domino (Pitoni)
Adoramus te, Christe (Dubois)
O Jesu veracissime (anon, 17th c.)
O Bone Jesu (Grancini)
Locus Iste (Bruckner)
Panis Angelicus (Casciolini)
Rise Up, O Men of God (20th c.)
Ave Maria (chant, mode i)
Ave Maria (Arcadelt)
Ego Sum Panis Vivus (Surzynski)
Introit: Salus populi (ultimately, this was cut due to time constraints)
Music for the Mass:
Opening Hymn: Faith of Our Fathers
Kyrie et Gloria: Missa O Quam Gloriosum (Victoria)
Psalm and Alleluia from Respond and Acclaim
Offertory: Perfice gressus meos (F.X. Witt)
Sanctus et Benedictus: O Quam Gloriosum
Agnus Dei: O Quam Gloriosum
Communion: Tu mandasti (mode v)
Panis Angelicus (Lambilotte)
O Sacrum Convivium (Remondi)
Closing Hymn: For All the Saints
Organ Postlude: improvisation on Salus populi
This music was well-received by all, including the bishop, who expressed his gratitude both publicly and privately. I might gratefully note that the bishop sang many of his parts as well. This helps to reinforce the idea that music is an integral part of Mass.
Saturday, September 22, 2007
The Wynnewood Garage Schola
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