Wednesday, September 30, 2026
Photos of a Missale Romanum Printed in Antwerp, 1616
Peter KwasniewskiPosted Wednesday, September 30, 2026
Labels: art of the book, Missale Romanum, Peter Kwasniewski, printing
Tuesday, September 29, 2026
St Michael in the Apocrypha
Gregory DiPippo![]() |
| St Michael Defeating the Devil, by Guido Reni, 1635 |
The story has attracted almost no attention from artists, with one very prominent exception, a fresco of it in the Sistine Chapel. When the chapel was originally constructed, Pope Sixtus IV (1471-84) commissioned a group of some of the most prominent painters of the era (Sandro Botticelli, Domenico Ghirlandaio, and Perugino among them) to paint eight episodes each from the lives of Moses and Christ; they are paired to show how the Church understands the life of Moses, the lawgiver of the Old Testament, as a prophecy of the life of Christ, the lawgiver of the New Testament. The final two, however, The Dispute over the Body of Moses and The Resurrection of Christ, break the parallelism; Moses, the giver of the old Law, dies and stays dead, but Christ, the giver of the new Law, rises from the dead.
These last two are on the chapel’s back wall, which has a large door in the middle, under part of each of the paintings. On Christmas Day of 1522, the architrave over the door suddenly cracked and fell, just after Pope Hadrian VI had passed under it while processing into the chapel to say Mass. (Two of his guards were killed.) This break would eventually lead to the complete deterioration of the paintings; around 1575, Matteo da Lecce replaced the original Dispute over the Body of Moses with the same subject, but in a very different style, as Hendrick van den Broeck had done about 20 years earlier with the Resurrection.
St Michael also figures very prominently in another apocryphal work, The Testament of Abraham, which exists in two recensions; the longer of these mentions him 24 times, the shorter 44 times. The basic idea of both is that he is sent to Abraham, whose life is extended from the Biblical 175 years (Genesis 25, 7) to 995 in the long recension, to persuade him to accept that his time has come to die. When Abraham’s son Isaac comes to meet the Archangel, the latter says to him, “the Lord God will grant you his promise that he made to your father Abraham and to his seed.” (chapter 3) Later on, Abraham meets Death himself, who appears to him with the heads of various animals, including a “terrible lion.” (chapter 17) Finally, when Abraham dies, “the archangel Michael came with a multitude of angels and took up his precious soul in his hands … and they tended the body of the just Abraham …. but the angels received his precious soul.” (chapter 20) These passage were clearly the inspiration for the first part of the Offertory chant of the Requiem Mass.
Musica Domestica, by Andrew Goldstein & David Clayton, Available for Pre-order
David ClaytonA two-volume songbook for Catholic families, with a pointed psalter, sacred songs and chants, and folk songs following the liturgical year, published by Word on Fire Publications
Two years ago I gave a talk to a gathering of parents and faculty of a classical academy in South Bend, Indiana. I spoke of my vision of families praying the psalms and singing songs together, with their neighbors, before the icon corner in the home. This would be part of how the Domestic Church, as envisaged by Pope Benedict XVI, could be the engine driving an authentic New Evangelization. Afterward, one of the parents, Andrew Goldstein, approached me and, as it turned out, shared the same idea. He asked me if I had a version of chants and psalms for English that used Gregorian chant. He had Volume I prepared but was looking for material for Volume II, psalms and canticles. I immediately sent him a pointed version of the Coverdale Psalter with tones that married text and music in a system I had developed and fine-tuned over 20 years. When he described his full vision to me, I knew immediately that Musica Domestica would be a gold mine for families and homes wanting to pray and sing together. Now, as a result, my hope is that we can all contribute constructively to the evangelization of the culture through song, prayer, and worship in the domestic church.
We created a website, musicadomestica.com, with accompanying resources, including musical scores, instructional videos, and recordings of the music. The arrangements are simple and easy to learn, featuring traditional chants, songs, and hymns that run through the cycle of the liturgical year. This isn’t for musical experts, but for any family that just wants to sing together. If you can sing in the shower or in the car happily when you think no one is listening, then you can sing what these volumes contain too. This is better than good clean fun - it is fun that cleanses us; it helps purify the soul! Word on Fire Publications will publish the book in February 2027 (it is available for pre-order now through the musicadomestica.com website), and I will share more information closer to the release date.Later that weekend, on Saturday, October 3rd, I will be speaking at the 2026 Conference of the Diocese of Portland, Maine, entitled The Aesthetic of Ascent. Appearing alongside me will be my old friends and fellow artists Dony McManus and Henry Wingate. I will talk about why the 7th Ecumenical Council mandates that Catholics pray with images, and give directions on how to pray with them in the icon corner of the Domestic Church. I will also give several introductory sessions on how to pray the psalms at home using the method outlined in Musica Domestica.
More to come as we get closer to the release date...but in the meantime:
Here is Andrew’s version of how it happened: One night, I sat with my eldest daughter to read Little House on the Prairie. As we read these words, “Laura lay awake a little while, listening to Pa’s fiddle softly playing and to the lonely sound of the wind in the Big Woods”, my daughter turned to me and asked, “Can you play music while I go to sleep?” Truthfully, I had no answer. As a professional musician myself, I should have had every tool needed to bring music into my family’s day-to-day life. Yet I came up short on any resource that empowered me to do that, not only as a musician but as a Catholic father. So, David Clayton and I set to work to create what we ourselves needed.
And here are two endorsements:
“In Musica Domestica, the reader will encounter not merely a handbook of song but an opportunity for restoring memory, culture, and a rightly ordered domestic life. Against the fragmentation and passivity of modern entertainment (and church music that slavishly imitates it), this work restores to practitioners the ancient Christian understanding that music belongs first to the household and the common Christian life. Rooted in the Catholic vision of truth, goodness, and beauty, Musica Domestica unites liturgical tradition, folk inheritance, and practical instruction with unusual clarity and charity. It is both learned and humane: an invitation for families to recover song as a source of joy, formation, fellowship, and ultimately, communion with God.” - Dr. William Fahey, Chancellor, Thomas More College of Liberal Arts
“Music is at the heart of culture. Musica Domestica puts forth a bold program to renew Christian culture through communal singing. Authors Goldstein and Clayton skillfully weave theology, history, and practical instructions for bringing spiritual song into your home and daily rhythm of life. The texts of inspired psalms, hymns, and canticles echo from three thousand years of authentic Western culture right into your living room! These songs resounded in the temple of King Solomon and all the temples of Christian worship. With Musica Domestica, these songs are brought to life again in the temple of our bodies.” - Paul Rose, creator of Sing the Hours
Monday, September 28, 2026
Music for Vespers of St Michael
Gregory DiPippo| Te, splendor et virtus Patris, Te vita, Jesu, cordium, Ab ore qui pendent tuo, Laudámus inter Angelos. |
O Jesus, life-spring of the soul! The Father's Power and Glory bright! Thee with Angels we extol; from Thee they draw their life and light. |
| Tibi mille densa millium Ducum coróna mílitat; Sed éxplicat victor Crucem Míchaël salútis sígnifer. |
Thy thousand, thousand hosts are spread, embattled o’er the azure sky; but Michael bears Thy standard dread, and lifts the mighty Cross on high. |
| Dracónis hic dirum caput In ima pellit tártara, Ducemque cum rebéllibus Caelesti ab arce fúlminat. |
He in that sign the rebel powers did with their dragon prince expel: and hurled them from heaven’s high towers, down like a thunderbolt to hell. |
| Contra ducem superbiae Sequámur hunc nos príncipem, Ut detur ex Agni throno Nobis coróna gloriae. |
Grant us, with Michael, still, O Lord, Against the prince of pride to fight; So may a crown be our reward, Before the Lamb’s pure throne of light. |
| Deo Patri sit gloria, Qui, quos redémit Filius, Et Sanctus unxit Spíritus, Per Angelos custodiat. Amen. |
To God the Father, with the Son And Holy Paraclete, with thee, As evermore hath been before, Be glory through eternity. Amen. |
Many churches, including St Peter’s basilica, as well as the various orders of monks, and the religious orders that retained their own liturgical use (Dominicans, Premonstratensians and Old Observance Carmelites) did not accept the revised hymns of Pope Urban, and continued to use the original version. It has also been restored to the post-Conciliar Liturgy of the Hours, with only two small alterations, which are included in this recording; the words “omnes caeli milites” are changed to “inclytos archangelos”, to reflect the recasting of the feast as that of the three Archangels named in the Bible, and the word “zabulum”, an early medieval version of “diabolum”, is replaced, purely in function of Dom Anselmo Lentini’s literary taste. (English translation by John Mason Neale, 1818-66).
| Tibi, Christe, splendor Patris, Vita, virtus cordium, In conspectu Angelórum Votis, voce psállimus: Alternantes concrepando Melos damus vócibus. |
Thee, O Christ, the Father’s splendor, Life and virtue of the heart, In the presence of the angels Sing we now with tuneful art, Meetly in alternate chorus, Bearing our responsive part. |
| Collaudámus venerantes Omnes caeli mílites, Sed praecípue Primátem Caelestis exércitus: Michaélem, in virtúte Conterentem zábulum. |
Thus we praise with veneration All the armies of the sky; Chiefly him, the warrior primate, Of celestial chivalry, Michael, who in princely virtue Cast Abaddon from on high. |
| Quo custóde procul pelle, Rex Christe piíssime, Omne nefas inimíci: Mundo corde et córpore, Paradíso redde tuo Nos sola clementia. |
By whose watchful care repelling, King of everlasting grace, Every ghostly adversary, All things evil, all things base, Grant us of Thine only goodness, In Thy paradise a place. |
| Gloriam Patri melódis Personémus vócibus, Gloriam Christo canámus, Gloriam Paráclito, Qui trinus et unus Deus Exstat ante sáecula. Amen. |
Laud and honor to the Father, Laud and honor to the Son, Laud and honor to the Spirit, Ever Three, and ever One, Consubstantial, co-eternal, While unending ages run. Amen. |
The earlier version was, of course, the one known to the great composers of the Counter-Reformation; here is a particularly beautiful setting in alternating chant and polyphony by Tomás Luís de Victória (1548-1611.)
The latter was set as a motet by Palestrina’s contemporary Luca Marenzio (1553-99), who was famous as a composer of madrigals, of which he wrote over 500, but also wrote a large number of sacred works.
Sunday, September 27, 2026
The Eighteenth Sunday after Pentecost
Gregory DiPippoGive peace, o Lord, to those who wait for Thee, that Thy prophets may be found true: hear the prayers of Thy servant, and of Thy people Israel. Ps. 121 I rejoiced in what was said to me, ‘We will go unto the house of the Lord.’ Glory be... Give peace, o Lord... (The introit of the 18th Sunday after Pentecost.)
Introitus Da pacem, Dómine, sustinéntibus te, ut prophétae tui fidéles inveniantur: exaudi preces servi tui et plebis tuae Israël. Ps 121 Laetátus sum in his, quae dicta sunt mihi: in domum Dómini íbimus. Gloria Patri... Da pacem, Dómine...Saturday, September 26, 2026
Our Lady’s Saturday
Gregory DiPippoSince today we celebrate the Saturday Office of Our Lady, here is a polyptych representing Her coronation as the Queen of Heaven, painted in the 1390s by the Florentine artist Cenni di Francesco di Ser Cenni (active ca. 1369-1415), a splendid example of the richly decorative style known as the International Gothic. (Click the image to enlarge it.)
This was originally made for a chapel dedicated to St Benedict within the church of the Holy Trinity in Florence, the city’s second church of the Vallumbrosian Order, founded by native son St John Gualbert. It is now at the Getty Museum in Los Angeles.Friday, September 25, 2026
Relics of St Padre Pio (Part 2)
Gregory DiPippoThe baptismal font of the little church dedicated to St Anne, in which he was baptized, and later often served Mass.
From the museum at the nearby church of the Holy Family: like all good sons of St Francis, Padre Pio understood very well that the poverty of religious is not practiced by impoverishing the house of God or the worship of God, and so of course, he did not hesitate to wear the proper liturgical vestments.
Blessed Joaquín de Albocácer
Michael P. FoleyBecause the Church has such a glorious history of early martyrs (think of St. Stephen being stoned or St. Lawrence being roasted alive on a gridiron), it is easy to forget that the twentieth century produced the most martyrs – in fact, more than all other centuries combined. During that bloody period, approximately one million Catholics were killed for their faith on every continent except Antarctica and Australia.
Thursday, September 24, 2026
The Feast of St Thecla, First-Martyr Among Women
Gregory DiPippoIn the Byzantine and Ambrosian Rites, today is the feast of the virgin and martyr St Thecla; in the Roman Rite, she is kept as a commemoration on the preceding day.
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| Image from Wikimedia Commons by Shesmax, CC BY-SA 3.0 |
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| The apse of the ruined church of St Thecla in Seleucia, built at the site of her cave by the Emperor Zeno ca. 475. (Image by Klaus-Peter Simon from Wikimedia Commons, GNU Free Documentation License.) |
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| The Preaching of Ss Paul and Barnabas, by Giovanni Paolo Panini, 1744 |
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| St Thecla and the Wild Beats; relief probably made in Egypt n the 5th century, now at the Nelson Atkins Museum in Kansas City. (Photo from Wikimedia Commons by R. Huggins, CC BY-SA 3.0) |
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| The altar of St Thecla in the Duomo of Milan, by Luigi Bisi, 1872 |
Posted Thursday, September 24, 2026
Labels: Ambrosian Rite, Byzantine Liturgy, feasts, saints, St Paul, virginity
SingCon 2026 Gathers in Brampton, Ontario
Gregory DiPippoWe are very glad to share this report from the recently concluded SingCon musical conference, an annual gathering of cantors, choristers, choir directors, and anyone interested in the musical tradition of the Ukrainian Greco-Catholic Church.
Over 130 participants assembled to pray, glorify God, and experience their faith together through the liturgical worship and church singing traditions of the Byzantine Rite at the intercontinental sixth annual Ukrainian Greco-Catholic Church Singing Conference, better known as SingCon.
This year’s gathering was held in Brampton, Ontario, from September 10-14, hosted by Saint Elias Church in Brampton, Ontario, thanks to the efforts of pastor Father Toma Hrywna and the gracious parishioners, with the blessing of Bishop Bryan of Toronto and Eastern Canada. Participants came from all over Canada and the USA, as well as the UK and Europe.


















